Showing posts with label Aspects of English Language - II. Show all posts
Showing posts with label Aspects of English Language - II. Show all posts

Monday, March 31, 2025

Morphology and Word Formation notes, Unit 4 Language and Linguistics (205C4B), 2nd Year, 4th Semester, B.A English Literature

University of Madras

Syllabus with effect from 2023-2024

B.A English Literature

[2nd Year, 4th Semester]

Language and Linguistics (205C4B)

Unit 4: Morphology and Word Formation


Unit4: Morphology and Word Formation 

4.1 Morphemes – Free and bound Morphemes

4.2 Affixes -Prefix, Suffix and Infix

4.3 Allomorphs - Zero morphemes Empty Morphemes

4.4 Compound Words, Back formation Portmanteau words, Clipping of Words

4.5 Morphophonemics - Phonetic Realization of Plural, Past, Third Person Singular morphemes (pronunciation of – ed, -s &-es)

4.1 Morphemes – Free and bound Morphemes

  When a morpheme can be both a morpheme and a word, it is called a free morpheme. But morphemes which occur only as a proper sub-part of a word (and not as a word) are called bound morphemes (e.g. ‘-ment’ and ‘dis-’). Hence ‘-ly’ is a bound morpheme in words like ‘properly’, ‘suddenly’, and ‘correctly’. It cannot exist alone as it is not a proper word of English.

Classification of Morphemes:

Ronald W Langacker in his book ‘Language and its Structure’ has divided morphemes into two classes: Lexical and Grammatical. Lexical Morphemes: Lexical Morphemes are – Nouns, Verbs, Adjectives and Adverbs. They have more or less independent meaning. They change their forms frequently. Lexical morphemes are in large numbers in the language. They are open ended. So the new members are added to the lexicon quite often. E.g. flower, rose, pluck, beautiful, rare etc.

Lexical morphemes carry the main meaning (or significance) of the word it belongs to. The morpheme ‘ready’ in ‘readiness’ carries the meaning of the word, as does ‘bound’ in ‘unbound’, or ‘cran’ in ‘cranberry’. These morphemes, because they carry the lexical meaning, are lexical morphemes.

Grammatical morphemes: Grammatical morphemes are elements like prepositions, articles, conjunctions, forms indicating number, gender, tense or so on. They, by and large, do not change frequently. New members in their family in any language are added rather infrequently. Grammatical morphemes can become attached to lexical morphemes. The ‘ing’ in ‘singing’ carries no lexical meaning, but it does provide a grammatical context for the lexical morpheme. It tells us that the ‘sing’ is ‘ing’ (as in ‘on-going’). In the same way, the morpheme ‘-ly’ in ‘timely’ carries no meaning independently, but it does turn the noun ‘time’ into a word more frequently used as an adverb.

Types of Morpheme:

Free Morpheme:

        Free morphemes are those morphemes that occur alone as independent words. For example, dog, film, run, front etc. Free morphemes can be used freely as words having their own specific meaning. They always contain and sustain their meaning wherever they occur in a sentence.

Bound Morpheme:

        A morpheme that doesn’t have any independent meaning and can be formed with the help of free morphemes is called a bound morpheme. Bound morphemes are those morphemes that cannot occur as independent words. For example; -less, -ness, pre-, un-, en-, -ceive, -ment. In bound morphemes we can study Prefix, Suffix, and Infix. It is also called as Affixation. All affixes are examples of bound morphemes.   

        However, some morphemes like and, or, but etc. are grammatical morphemes yet they are independent words.

4.2 Affixes -Prefix, Suffix and Infix

Morphemes such as –s, -ed, -ing, un-, mis-, -hood, -ship etc. are called affixes. Here one or more sounds occur as a bound form that are attached either to the beginning or to the end of a base word. These forms like –s, or –ed, or un- are attached to a base word, which is called a stem word. In the word unlikely, the affixes are un- and –ly, and the stem is like. In the word knowing, the stem is known and the affix is –ing. The stem know cannot be split any further. Such a stem which cannot be split any further is called a root. To a stem, affixes can be attached and thereby producing a derivative word or an inflectional form. 

Prefixes and Suffixes

An affix is added to a root word or a stem and it is of two types. They are suffixes and prefixes. Affixes which are attached at the beginning of the stem are called prefixes. The following are some examples:

Un- unkind

Dis- dislike

Mis- misrepresent

In- inequal

Re- resurrect

De- degrade

Im- impassable

Non- nonsense

Anti- antisocial 

The affixes which are attached at the end of the stem are called suffixes:

-ing (meaning)

-dom (kingdom)

-ship (friendship)

-less (thankless)

-ness (kindness)

-ly (kingly)

-ion (prohibition) 

Inflectional and Derivational Affixes

Affixes may be derivational or inflectional. Inflectional affixes change the form of word. For example, move, moves, moved, and moving are different forms of the same word. Therefore –s, -ed, and –ing are inflectional affixes. It refers to the formation of a new form of the same word.

Derivational affix, on the other hand, is a process of word formation. It refers to the formation of a new word from another word. Thank and thankless are different words, therefore –less is a derivational affix. 

Some words in English do not take inflectional suffixes. Such words are referred to as function words. Articles, prepositions, conjunctions, interjections, auxiliary verbs etc. are function words. The function words do not change form or meaning. Therefore they are referred to as closed class.  

4.3 Allomorphs - Zero morphemes Empty Morphemes

Morphemes and Allomorphs

Morphemes are the smallest meaningful constituents of words; Words are composed of morphemes (one or more). sing-er-s, home-work, un-kind-ly, ipp-ed, de-nation-al-iz-ation nej-ne-ob-hospod.ar-ova-tel-nejs-ho, auto-servis-u Morph. The term morpheme is used both to refer to an abstract entity and its concrete realization(s) in speech or writing. When it is needed to maintain the signi ed and signi er distinction, the term morph is used to refer to the concrete entity, while the term morpheme is reserved for the abstract entity only.

Allomorphs are a set of forms that a morpheme may take. They are the variants of a morpheme. While morphemes are concerned with the structure and meaning of words, allomorphs are concerned with the sound of words without changing the meaning. The morphemes are generally represented within braces and allomorphs are given in slash lines. The regular plurals of English nouns are realized as /-s/, /-z/ and /-es/.

If the morpheme ends in /s/ /ʃ/ and /ʧ/, then the allomorph /iz/ is selected.

Examples:

Fish – fishes- /fiʃiz/

Match- matches - /mæʧiz/

Bus – buses - /bʌsiz/

If the morpheme ends in voiced consonant or a vowel, the allomorph is /z/.

Examples:

Dog – dogs - /dɒgz/

Fly – flies – /flaiz/

Bird – birds- /bə:dz/

Monkey– monkeys - /mʌŋkiz/

The past tense of a morpheme, in most cases, is formed by adding –d or –ed to the word. The ending sound becomes /t/, /d/ or /id/. The past tense –ed is realized as /t/ if it is preceded by a voiceless consonant other than /t/. Some verbs whose ending sound is /t/ or /d/ the past tense of its ending sound becomes /id/.

Examples:

Jump – jumped - /dʒʌmpt/

Hunt – hunted - /hʌntid/

Brand – branded - /brændid/

Learn – learned - /lə:nid/

Kick – kicked - /kikt/

Bag – bagged - /bægd/ 

        Allomorphs are different forms of the same morpheme, and zero morphemes are a type of allomorph that have no phonetic form, while empty morphemes lack both form and meaning.

Zero morphemes:

A Zero morpheme also known as a null morpheme that has no phonetic form, but still carries grammatical meaning. In the zero morphemes the null morpheme is added to the root, therefore it has a function but no form.  For example: the verb put has same form in both past and present. Similarly the word cut has same form in both past and present. In the word sheep, the plural form is also sheep. The word sheep gets attached to a null plural morpheme, which changes the meaning but doesn’t change the form.

Empty morphemes:

Empty morphemes are those morphemes that has a phonological structure but no semantic content. It's a morph that doesn't contribute to the overall meaning of a word.

For example: cran in the word cran-berry, berry has meaning of its own but cran doesn’t have any semantic content.

4.4 Compound Words, Back formation Portmanteau words, Clipping of Words

Word formation

The word formation refers to the ways in which new words are formed. It is an ongoing process and new words continue to evolve. The process of word formation does not have a uniformity in all languages. It may vary from language to language. The following are some of the important word formation process:

Compound Words:

It is a process in which a word is formed out of two or more words. This type of words are called compound words. Here different forms of word classes combine to form new ones. In the word blackboard, an adjective combines with a noun. In most cases, the compound word retains the meaning of the two combined word. A blackboard is a board that is black in color. However, there are some compound words whose meanings cannot be assumed from the two combined words. For example the compound word white-collar, and black money.

Examples: teapot, manmade, footprint, tea-party, and bookshelf.

Back-formation

As the word indicates, it is the formation of a new word by removing the affixes. It is a reverse process of derivation. In this process a word is formed from another word by removing its affixes. Thus back- formation may be viewed as a sub-type of clipping.

Examples:

The verb resurrect is formed from the noun resurrection.

Project (V) - projection (N)

Edit (V) - editor (N)

Insert (V) – insertion (n)

Portmanteau word

A portmanteau word, also known as a blend, is a word created by combining parts of two or more existing words, usually the beginning of one and the end of another, to form a new word with a combined meaning.

Examples:

        “Brunch” (breakfast + lunch)

“Smog” (smoke + fog)

“Mockumentary” (mock + documentary)

“Spork” (spoon + fork)

“Frenemy” (friend + enemy)

“Motel” (motor + hotel)

“Mall” (market + hall)

 Clipping Words:

It is a shortening technique in which a new word is formed. Here a word is shortened to one of its parts by retaining the meaning. If the beginning of the word is retained, it is back clipping. The examination becomes exam, mathematics is shortened as math, laboratory – lab, gymnastics – gym.

In fore clipping, the final part is retained. The word telephone is reduced to phone, omnibus becomes bus, university – varsity, are some examples. 

4.5 Morphophonemics - Phonetic Realization of Plural, Past, Third Person Singular morphemes (pronunciation of – ed, -s &-es)

Morphophonemics

      Morphophonemics, also known as morphophonology, examines the interaction between morphology (word structure) and phonology (sound structure). It focuses on how morphemes, which are the smallest units of meaning in language, are realized phonetically.  

      In morphophonemics, deals with the interaction between morphological and phonological processes and how they these factors affect each other. Morphophonemic change usually occurs at morpheme boundaries and it involves sounds that are associated with separate phonemes.

Plural Morpheme:

      The rule determines the phonetic form of the plural morpheme has traditionally been called a morphophonemic rule, because its application is determined by both the morphology and the phonology. When a morpheme has alternative phonetic forms, these forms are called allomorphs by some linguists. [z], [s], and [əz] would be allomorphs of the regular plural morpheme, and determined by rule. Examples:

Singular: cat /kæt/, dog /dɒɡ/, bus /bʌs/

Plural: cats /kæts/, dogs /dɒɡz/, buses /bʌsɪz/

Past Tense Morpheme:

      The past-tense rule in English, like the plural-formation rule, must include morphological information. Notice that after a vowel or diphthong the form of the past tense is always [d], even though no phonological rule would be violated if a [t] were added, as shown by the words tight, bout, rote. When the word is a verb, and when the final alveolar represents the past tense morpheme, however, it must be a voiced [d] and not a voiceless [t]. Examples: 

Present: walk /wɔːk/, sing /sɪŋ/

Past: walked /wɔːkt/, sang /sæŋ/

Third-Person Singular Morpheme:

      The third-person singular morpheme is a grammatical marker (a morpheme) that signals the present tense and subject-verb agreement for singular, third-person subjects.

Examples:

Present: I walk, he walks

Morphophonemic processes:

Morphophonemic processes can involve alternations in vowel and consonant sounds, reflecting the interaction between morphology and phonology.

These processes help explain why certain plural forms in English, like 'goose' to 'geese', exhibit irregular changes instead of following standard rules.

They often come into play in verb conjugation, where the ending of a verb may change depending on tense or subject agreement.

Understanding morphophonemic processes is essential for analyzing language patterns and predicting how words will change in different grammatical contexts.

Languages around the world exhibit unique morphophonemic processes that reflect their specific phonological and morphological rules.

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Thursday, April 18, 2024

Semantics, Word Meaning – Associative and Denotative Meaning, Seven Types of Meaning, Unit 5 Aspects of English Language, B.A English Literatrue

   University of Madras

Syllabus with effect from 2020-2021

BA English Literature

[2nd Year, 4th Semester]

ASPECTS OF ENGLISH LANGUAGE – II

Unit 5: Semantics

What is Semantics?

        “Semantics is the study of meanings. The term is derived from Greek semanen (to signify or mean). It concerned with the relation between words or other symbols and objects or concepts to which they refer.

        Semantics is that aspect of linguistics which deals with the relations between referents (names) and referends (things)—that is, linguistic levels (words, expressions, phrases) and the objects or concepts or ideas to which they refer—and with the history and changes in the meaning of words.

        Diachronic (historical) semantics studies semantic change, whereas synchronic semantics accounts for semantic relationship, simple or multiple.

 

5.1 Word Meaning – Associative and Denotative Meaning

 

Two Types of Meaning

        Yule (2014) makes a broad distinction between conceptual meaning and associative meaning.

Associative (connotative) meaning.

        However, different people might have different associations or connotations attached to a word like needle. They might associate it with 'pain,' or 'illness,‘. 'blood,' 'drugs,' 'thread,' or 'knitting.

        The connotation of a word can be positive, negative, or neutral. It can also be either cultural or personal. The table below displays the conceptual and associative meanings of  two words:“ blood” and “pig”

        Associative meaning is a result of cognitive association of ideas or things. It combines several types of meaning that are closely related, such as connotative, collocative, social, affective, and reflected meanings.

Denotative (Conceptual / literal/ dictionary)Meaning:

        Denotative meaning covers those basic, essential components of meaning that are conveyed by the literal use of a word.

It is the type of meaning that dictionaries are designed to describe. Some of the basic components of a word like needle in English might include 'thin, sharp, steel instrument. Denotation is a word's plain and direct meaning or meanings. It's what the word explicitly means.

   

5.2 Seven Types of Meaning (logical or Conceptual, Connotative, social, affective, reflected, collective and thematic)

Seven Types of Meaning:

        Semantic is the study of meanings. Meaning comprise not one, but some kinds of meaning. Geoffrey Leech in his ‘Semantic- A Study of meaning’ (1974) breaks down meaning into seven types or ingredients giving primacy to conceptual meaning. He divides meaning into seven, they are called seven types of meanings, namely:

1.   conceptual meaning

2.   connotative meaning

3.   social meaning

4.   affective meaning

5.   reflective meaning

6.   collocative meaning

7.   thematic meaning

i) Conceptual Meaning:

        Conceptual meaning is also called denotative or cognitive meaning. Conceptual meaning is the literal meaning of the word indicating the idea or concept to which it refers. The concept is minimal unit of meaning which could be called ‘sememe’.

The two principles by Leech, the principles of contrastiveness and principle of structure.

        The organization of conceptual meaning is based on two structural principles- Contrastiveness and the principle of structure. The conceptual meanings can be studied typically in terms of contrastive features.

For example the word “woman” can be shown as:

        “Woman = + Human, -Male, + Adult”.

        On the contrary, word

        “Boy” can be realized as:-

        “Boy = “+ human, + male, - Adult”.

By the principle of structure, larger units of language are built up out smaller units or smaller units or smaller units are built out larger ones.

The aim of conceptual meaning is to provide an appropriate semantic representation to a sentence or statement. A sentence is made of abstract symbols. Conceptual meaning helps us to distinguish one meaning from the meaning of other sentences. Thus, conceptual meaning is an essential part of language. A language essentially depends on conceptual meaning for communication. The conceptual meaning is the base for all the other types of meaning.

ii) Connotative Meaning:

        Connotative meaning is the communicative value of an expression over and above its purely conceptual content. It is something that goes beyond mere referent of a word and hints at its attributes in the real world. It is something more than the dictionary meaning. Thus purely conceptual content of ‘woman’ is +human + female+ adult but the psychosocial connotations could be ‘gregarious’, ‘having maternal instinct’ or typical (rather than invariable) attributes of womanhood such as ‘babbling’,’ experienced in cookery’, ‘skirt or dress wearing ‘etc. Connotations vary age to age and society to society.

E.g. Old age ‘Woman’ - ‘Non-trouser wearing or sari wearing’ in Indian context must have seemed definite connotation in the past.

        Present ‘Woman’---- Salwar/T-shirt/Jeans wearing.

         Sometimes connotation varies from person to person also. E.g. connotations of the word ‘woman’ for misogynist and a person of feminist vary.

        The boundary between conceptual and connotative seems to be analogous. Connotative meaning is regarded as incidental, comparatively unstable, in determinant, open ended, variable according to age, culture and individual, whereas conceptual meaning is not like that . It can be codified in terms of limited symbols.

 

iii) Social Meaning:

        The meaning conveyed by the piece of language about the social context of its use is called the social meaning. The decoding of a text is dependent on our knowledge of stylistics and other variations of language. We recognize some words or pronunciation as being dialectical i.e. as telling us something about the regional or social origin of the speaker. Social meaning is related to the situation in which an utterance is used.

        It is concerned with the social circumstances of the use of a linguistic expression. For example, some dialectic words inform us about the regional and social background of the speaker. In the same way, some stylistic usages let us know something of the social relationship between the speaker and the hearer.

        E.g. “I ain’t done nothing”

The line tells us about the speaker and that is the speaker is probably a black American, underprivileged and uneducated.

iv) Affective or Emotive Meaning:

        For some linguists it refers to emotive association or effects of words evoked in the reader, listener. It is what is conveyed about the personal feelings or attitude towards the listener.     

        In affective meaning, language is used to express personal feelings or attitude to the listener or to the subject matter of his discourse.

        For Leech affective meaning refers to what is convey about the feeling and attitude of the speak through use of language (attitude to listener as well as attitude to what he is saying). Affective meaning is often conveyed through conceptual, connotative content of the words used

        E.g. “you are a vicious tyrant and a villainous reprobation and I hate you” Or “I hate you, you idiot”.

        We are left with a little doubt about the speaker’s feelings towards the listener. Here speaker seems to have a very negative attitude towards his listener. This is called affective meaning.

        But very often we are more discreet (cautious) and convey our attitude indirectly. E.g. “I am terribly sorry but if you would be so kind as to lower your voice a little”.

v) Reflected Meaning:

        Reflected meaning and collocative meaning involve interconnection.

        At the lexical level of language, Reflected meaning arises when a word has more than one conceptual meaning or multiple conceptual meaning. In such cases while responding to one sense of the word we partly respond to another sense of the word too. Leech says that in church service ‘the comforter and the Holy Ghost ’refer to the third in Trinity. They are religious words. But unconsciously there is a response to their non-religious meanings too. Thus the ‘comforter’ sounds warm and comforting while the ‘Ghost’ sounds ‘awesome’ or even ‘dreadful’. One sense of the word seems to rub off on another especially through relative frequency and familiarity (e.g. a ghost is more frequent and familiar in no religious sense.).

E.g. Daffodils

“The could not but be gay

In such jocund company”

        The word ‘gay’ was frequently used in the time of William Wordsworth but the word now is used for ‘homosexuality’.

        In such type cases of multiple meaning, one meaning of the word pushes the other meaning to the background. Then the dominant suggestive power of that word prevails. This may happen because of the relative frequency or familiarity of the dominant meaning. This dominant meaning which pushes the other meaning at the background is called the reflected meaning.

vi) Collocative Meaning:

        Collocative meaning is the meaning which a word acquires in the company of certain words. Words collocate or co-occur with certain words only e.g. Big business not large or great. Collocative meaning refers to associations of a word because of its usual or habitual co-occurrence with certain types of words. ‘Pretty’ and ‘handsome’ indicate ‘good looking’.

        However, they slightly differ from each other because of collocation or co-occurrence. The word ‘pretty’ collocates with – girls, woman, village, gardens, flowers, etc.

        On the other hand, the word ‘handsome’ collocates with – ‘boys’ men, etc. so ‘pretty woman’ and ‘handsome man’. While different kinds of attractiveness, hence ‘handsome woman’ may mean attractive but in a mannish way. The verbs ‘wander’ and ‘stroll’ are quasi-synonymous- they may have almost the same meaning but while ‘cows may wonder into another farm’, they don’t stroll into that farm because ‘stroll’ collocates with human subject only. Similarly one ‘trembles with fear’ but ‘quivers with excitement’. Collocative meanings need to be invoked only when other categories of meaning don’t apply. Generalizations can be made in case of other meanings while collocative meaning is simply on idiosyncratic property of individual words. Collocative meaning has its importance and it is a marginal kind of category.

vii) Thematic Meaning:

        It refers to what is communicated by the way in which a speaker or a writer organizes the message in terms of ordering focus and emphasis .Thus active is different from passive though its conceptual meaning is the same. Various parts of the sentence also can be used as subject, object or complement to show prominence. It is done through focus, theme (topic) or emotive emphasis. Thematic meaning helps us to understand the message and its implications properly. For example, the following statements in active and passive voice have same conceptual meaning but different communicative values.

e.g.

1) Mrs. Smith donated the first prize

2) The first prize was donated by Mrs. Smith.

        In the first sentence “who gave away the prize “is more important, but in the second sentence “what did Mrs. Smith gave is important”. Thus the change of focus change the meaning also.

        The first suggests that we already know Mrs. Smith (perhaps through earlier mention) its known/given information while it’s new information.

        Alternative grammatical construction also gives thematic meaning. For example,

1) He likes Indian good most.

2) Indian goods he likes most

3) It is the Indian goods he likes most.

        Sometimes thematic contrast i.e. contrasts between given and new information can be conveyed by lexical means.

e.g.

1) John owns the biggest shop in London

2) The biggest shop in London belongs to John.

The ways we order our message also convey what is important and what not. This is basically thematic meaning.

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Wednesday, May 25, 2022

Articulation of individual Consonant sounds, Consonants Three term Label Description, English Phonetics and Phonology -I, Aspects of English Language – II, Phonetics

  University of Madras

Syllabus with effect from 2020-2021

BA English Literature

[2nd Year, 4th Semester]

ASPECTS OF ENGLISH LANGUAGE – II

Unit 2: English Phonetics and Phonology -I

Articulation of individual Consonant sounds 

Three term Label Description

Description of Consonant sounds:

Consonant sounds are those sounds in the production of which the obstruction is created to the air-stream. These sounds are generally made by a definite interference of the speech organs with the air stream. During the production of consonant sounds the air released from the lungs escapes through mouth with friction. The 24 consonant sounds in English are - /p/, /b/, /t/, /d/, /k/, /ɡ/, /tʃ/, /dʒ/, /f/, /v/, /θ/, /ð/, /s/, /z/, /ʃ/, /ʒ/, /h/, /m/, /n, /ŋ/, /l/, /r/, /j/, /w/.

The description of these consonant sounds involves with the following three term labels:

a) The State of Glottis (voiced or voiceless consonant sounds)

b) Place of articulation

c) Manner of articulation

i) Plosive:

/p/:

      During the articulation of this plosive sound /p/, the soft palate is raised and shuts off the nasal passage of air. The two lips come in contact tightly. The lower lip is the active articulator and the upper lip is the passive articular. The vocal cords are remain wide. Then there is a sudden separation of lips and the air escapes with an explosive sound. Thus the sound can be described as “voiceless bilabial plosive”. E.g. Pin, cap, paper.

/b/:

      During the articulation of this plosive sound /b/, the soft palate is raised and shuts off the nasal passage of air. The two lips come in contact tightly. The lower lip is the active articulator and the upper lip is the passive articular. The vocal cords are vibrate. Then there is a sudden separation of lips and the air escapes with an explosive sound. Thus the sound can be described as “voiced bilabial plosive”. E.g. Bin, cab, bubble.

/t/:

      During the articulation of this plosive sound /t/, the soft palate is raised and closes the nasal passage of air. The tip or blade of the tongue makes a firm contact with the alveolar ridge and completely blocks the oral passage of air. The tip of the tongue is the active articulator. The vocal cords are remain wide. The compressed air escapes with an explosive sound. Thus the sound is described as “voiceless alveolar plosive”. E.g. tin, Pot, cutter.

/d/:

      During the articulation of this plosive sound /d/, the soft palate is raised and closes the nasal passage of air. The tip or blade of the tongue makes a firm contact with the alveolar ridge and completely blocks the oral passage of air. The tip of the tongue is the active articulator. The vocal cords are vibrate. The compressed air escapes with an explosive sound. Thus the sound is described as “voiced alveolar plosive”. E.g. din, mud, modern.

/k/:

      During the articulation of this consonant sound the soft palate is raised and completely closes the nasal passage of air. The back of the tongue makes a firm contact against the soft palate. The back of the tongue is the active articulator. The vocal cords remain wide. Then the compressed air escapes with an explosive sound. This sound is described as “voiceless velar plosive”. E.g. cat, Kite, Pack.

/g/:

      During the articulation of this consonant sound the soft palate is raised and completely closes the nasal passage of air. The back of the tongue makes a firm contact against the soft palate. The back of the tongue is the active articulator. The vocal cords are vibrate. Then the compressed air escapes with an explosive sound. This sound is described as “voiced velar plosive”. E.g. Gate, bag, beggar.

ii) Affricate:

/tʃ/:

      During the articulation of this consonant sound the soft palate is raised so as to close the nasal air stream. The tip and blade of the tongue make a firm contact with the alveolar ridge and blocks the oral passage of air. At the same time the front of the tongue is raised towards the hard palate for a fricative release of the sound. Then the tip of the tongue removed slowly and the air released with friction between the front of the tongue and hard palate. The vocal cords remain wide. This sound is described as “voiceless palato-alveolar affricate”. E.g. Church, watch, chain.

/dʒ/.

      During the articulation of this consonant sound the soft palate is raised so as to close the nasal air stream. The tip and blade of the tongue make a firm contact with the alveolar ridge and blocks the oral passage of air. At the same time the front of the tongue is raised towards the hard palate for a fricative release of the sound. Then the tip of the tongue removed slowly and the air released with friction between the front of the tongue and hard palate. The vocal cords are vibrate. This sound is described as “voiced palato-alveolar affricate”. E.g. Joy, Stage, juice.

iii) Fricatives:

/f/:

      During the articulation of this sound /f/, the soft palate is raised and shuts the nasal passage of air. The lower lip is brought near the upper front teeth with a narrow gap between them, the air passes through this narrow gap. The lower lip is the active articulator. The vocal cords remain wide. Therefore the sound is described as “voiceless labio-dental fricative”. E.g. Fan, soft, staff.

/v/:

      During the articulation of this sound /v/, the soft palate is raised and shuts the nasal passage of air. The lower lip is brought near the upper front teeth with a narrow gap between them, the air passes through this narrow gap. The lower lip is the active articulator. The vocal cords are vibrate. Therefore the sound is described as “voiced labio-dental fricative”. E.g. Van, Wave, Oval.

/θ/:

      During the articulation of this sound /θ/, the soft palate is raised and shuts the nasal passage of air. The tip of the tongue makes a light contact with the upper front teeth with a narrow gap between these two with the air escaping through the tongue. The tip of the tongue is active articulator. The vocal cords remain wide. Thus the sound is described as “Voiceless dental fricative”. E.g. Think, with, path.

/ð/:

      During the articulation of this sound /ð/, the soft palate is raised and shuts the nasal passage of air. The tip of the tongue makes a light contact with the upper front teeth with a narrow gap between these two with the air escaping through the tongue. The tip of the tongue is active articulator. The vocal cords are vibrate. Thus the sound is described as “Voiced dental fricative”. E.g. This, weather, mother.

/s/:

      During the articulation of this sound /s/, the soft palate is raised and closes the nasal passage of air. The tip or blade of the tongue are brought near the teeth-ridge with a narrow space between them. The air passes through this narrow gap. The tip of the tongue is active articulator. The vocal cords remain wide. The sound is described as “Voiceless alveolar fricative”. E.g. Sun, Sing.

/z/:

      During the articulation of this sound /s/, the soft palate is raised and closes the nasal passage of air. The tip or blade of the tongue are brought near the teeth-ridge with a narrow space between them. The air passes through this narrow gap.The tip of the tongue is active articulator. The vocal cords are vibrate. The sound is described as “Voiced alveolar fricative”. E.g. zoo, zip.

/ʃ/:

      During the articulation of this sound /ʃ/, the soft palate is raised and closes the nasal passage of air. The tip of the tongue is brought very near the teeth ridge. But front of the tongue is raised towards hard palate. The air from lungs escapes through the narrow gap between the teeth ridge and hard palate. The vocal cords remain wide. Therefore the sound is described as “Voiceless palato-alveolar fricative”. E.g. Shut, ship, push.

/ʒ/:

      During the articulation of this sound /ʒ/, the soft palate is raised and closes the nasal passage of air. The tip of the tongue is brought very near the teeth ridge. But front of the tongue is raised towards hard palate. The air from lungs escapes through the narrow gap between the teeth ridge and hard palate. The vocal cords are vibrate. Therefore the sound is described as “Voiceless palato-alveolar fricative”. E.g. Pleasure, measure,

/h/:

      During the articulation of this sound /h/, the air from the lungs escapes through a narrow glottis with audible friction. The vocal cords are remain wide. This consonant is described as “voiceless glottal fricative”. E.g. Hut, House.

iv) Nasal:

/m/:

      During the articulation of this sound /m/, the two lips are come in contact tightly and shuts the oral passage of air. The lower lip is the active articulator. The soft palate is lowered and the air escapes freely through the nasal cavity. The vocal cords are vibrate. Therefore this sound is described as “voiced bilabial nasal”. E.g. Man, Sum, among.

/n/:

      During the articulation of this sound /n/, the oral closure is affected by the tip or blade of the tongue making a firm contact against the alveolar ridge. The tip of the tongue is the active articulator. The soft palate is lowered and the air-stream flows through nose. The vocal cords are vibrate. The sound is described as “Voiced alveolar nasal”. E.g. Net, pen, manner.

/ŋ/:

      During the articulation of this sound /ŋ/, the back of the tongue raised towards the soft palate and the air shuts in oral cavity. The back of the tongue is the active articulator. The soft palate is lowered so as to allow air through nose. The vocal cords are vibrate. The sound is described as “Voiced velar nasal”. E.g. Sing, Ring.

v) Lateral:

/l/:

      During the articulation of this consonant /l/, the soft palate is raised and closes the nasal passage of air. The oral passage of air is blocked when the tip or blade of the tongue makes a firm contact with the alveolar ridge. The side of the tongue are lowered and the air escaped through these sides. The Tip of the tongue is the active articulator. This sound is described as “voiced alveolar lateral consonant. E.g. Line, Pull, Long.

 vi) Frictionless continuant or Rolled:

/r/:

      During the production of the sound /r/, the active articulator strikes against the passive articulator several times (the tongue tip taps against the teeth ridge), the air thereby escaping intermittently. This sounds are called trills or rolled consonants. E.g. Red, broad, near.

      During the production the consonant /r/ in sometime, the active articulator strikes against the passive articulator once and then quickly flaps forward. Such consonants are called taps or flaps. E.g. very, carry.

vii) Semi Vowels:

/j/:

      During the articulation of this sound /j/, the front of the tongue takes up a position between front close and front half close position. The soft palate is raised and shuts the nasal passage of air. The vocal cords are vibrate. Thus the sound is described as “voiced palatal approximants”. E.g. Yawn, young.

/w/:

      During the articulation of this sound /w/, the back of the tongue assumes a position required for the articulation of a vowel between back close and back half close position. The soft palate raised and shuts the nasal passage of air. The vocal cords are vibrate. Thus the sound is described as “voiced bilabial approximants”. E.g. wet, water.

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