Showing posts with label Indian Writings in English B.A. Show all posts
Showing posts with label Indian Writings in English B.A. Show all posts

Wednesday, October 23, 2024

Laburnum for my Head Temsula Ao summary, Indian Writings in English| B.A English Literature 1st Year 1st Semester

  B.A English Literature

[1st Year, 1st Semester] 

Core Paper IV: INDIAN WRITINGS IN ENGLISH 

UNIT 5: Short Story
Laburnum for my Head Temsula Ao

About Author:

            Temsula Ao is a short story writer and ethnographer.She is a retired professor of English in North Eastern Hill University (NEHU), where she taught since 1975 .In 2013 she received the Sahitya Academy Award for her short story collection, Laburnum for My Head. She has published five poetic works. She collected the myths, folktale, rituals, legal ideas, and custom based system. This ethnographic work was published in 1999 as Ao, Naga oral tradition from Bhasha Publication, Baroda. She is presently the Chairperson of Nagaland State Commission for Women. 

About Story:

            Temsula Ao’s Laburnum for My Head, first published in 2009. Set in the state of Nagaland, this is a collection of 8 short stories by the author revolving around death, life, motherhood, honour and so on. These stories explore a range of emotions, from the mythical to the modern. The stories are described as witty, heartrending, and full of irony.           

Summary: 

    Temsula Ao has presented striking women characters in her works. Her female characters hail from the North-East region of India and they play a crucial role in anchoring the lives of their men amidst the violence looming large around them. These women challenge the injustice practiced by the patriarchal system and also question the cruelties perpetrated by the rebel forces and the government forces alike. They save men’s lives, pacify their fears and act as the moving force in their struggle to survive.

    Lentina, the central character of the story, is a woman of her own choices and the story is a record of her struggles to fulfill her desire to have some Laburnum bushes in her garden. It is interesting to note that she loves laburnum flowers because of their femininity and contrasts them with the brazen orange and dark pink blossoms of gulmohars. In the context of the troubled politics of the North-East, her preference for the yellow mellow beauty of laburnum over the dark pink blossoms of gulmohar is very significant. Traditionally, the colour yellow refers to happiness, optimism, enlightenment and creativity whereas the dark pink is associated with energy, passion etc… This choice of colour itself informs her politics of identifying with the victims of political aggression in Nagaland and her desire for the golden shower definitely evokes a desire for easing down the tensions. She attributes humility to the way the laburnum flowers hung their heads earthward. In short, her love for the flowers spring out of their femininity and humility.

    In the beginning of the story, the writer offers a stunning impression of a laburnum in blossom and describes how the flowers conceal the monuments erected by men of prominence on their graves. It is customary among the wealthy to erect marble/granite or concrete structures on their graves to keep their memories alive and to defy the forgetfulness imposed by death. The feminine flowers of the laburnum help to erase the marks of prominent members of the society and bring out a sense of equality among all humans and declare the victory of nature over everything the patriarchs have created. In another instance, Lentina’s love for the flowers is taken as a fetish and is openly spoken about in close family gatherings. This shows the intolerance practiced by the society on women’s choices and how it forces her to stop planting saplings in her gardens. Though this stops her from talking about the tree in public and planting them in her garden, her love for the golden shower does not cease.

      Lentina’s decision to join the funeral party of her husband to takepart in the last rites at the gravesite is a challenging act to the patriarchal tradition which reserves this to man. Though she is not warmly welcomed, no one stops her from carrying out her plan as the gravity of the situation requires them to keep calm. Her strength lies in her sensitivity to the cultural codes of the society. Her struggles to buy a piece of land of her own choice brings out her extraordinary powers of perseverance and make members of her family to acknowledge her strengths and seek her advice on matters running business and family.

    In her search for fulfilment, she breaks free of human relationships established by the patriarchal system and redefines them. For example, the nature of her relationship with Babu, the driver, was that of a master-slave and now she considers him as an ‘ever faithful friend’ and a confidant. Her determination to select a plot for herself and negotiations with the Town Committee show her strength as a woman and she erases marks of patriarchy in the process.


**************************************************************************

Follow our YouTube channel to get English Literature summaries and Communicative English Lesson explanations and Task Answers. Click this link: πŸ‘‰ Saipedia

Handful of Nuts by Ruskin Bond summary, Short story Unit 4, Indian Writings in English| B.A English Literature 1st Year 1st Semester

B.A English Literature

[1st Year, 1st Semester] 

Core Paper IV: INDIAN WRITINGS IN ENGLISH 

UNIT 5: Short Story
Handful of Nuts – Ruskin Bond

About Author:

            Ruskin Bond is one of the most prolific writers of India today. He was born on 19 May 1934, at Kasauli in Himachal Pradesh to a first generation British migrant. He went to England for his primary studies. He wrote his first novel named The Room On The Roof when he was only 17 years. It is a semiautobiographical story of the orphaned Anglo-Indian boy Rusty. He has written about twenty one novels/novellas, five hundred short stories, seventeen essays, eight travel writings, and seventeen song and love poems .He received the Sahitya Akademi Award for English writing in India for Our Trees Still grows in Dehra in 1992.He was awarded the Padma Shri in 1999 for his contributions to children’s literature. 

Introduction:  

            A collection of Ruskin Bond’s six novels evoking nostalgia for time gone by published in 2009. The six novels included in the collection are: The Room on the Roof, Vagrants in the Valley, Delhi Is Not Far, A Flight of Pigeons, The Sensualist and A Handful of Nuts. 

About Story:

            A Handful of Nuts is Bond's classic coming of age story. Set in the backdrop of Dehradun in small town India, the story is about being young and adventurous while chasing one's dreams. The narrator, a 21-year-old man, hopes to be an established writer but is constantly distracted by romances and other adventures. Though, it is noted that Bond wrote this book in his sixties. Over the years, A Handful of Nuts has become an inspirational short story for many budding writers. 

Summary:

The story was set in post-independence days of 1955 in the lovely landscape of Dehradon. The author introduces himself as a free-lance writer who gets just sufficient amount to sustain and manage his living by writing .His friends Jaishankar and William Matheson were clearly introduced and their economical status was also being introduced by making apt comparisons. His love with Indu, daughter of Maharani of Magador was shown clearly and he succeeded in making us feel his love towards her and his inability propose her and make her his life partner was also shown perfectly. Then comes Sitaram, resourceful but annoying son of local dhobi, who likes Ruskin and Sitaram’s willingness to help Ruskin was presented perfectly in the starting of the story as they are going to play key role in the story.

Author brings this romantic waiting seen for his love Indu near her house balcony and waits there till he sees her. Then he meets Jai Shankar who asks for jilebis there by author shows the nature of Jai Shankar and William Matheson who lends money from the author for small thing sand never returns it. And author mentions Jai Shankar fear towards darkness and his ability to live life in the darkness as his landlady didn’t pay the current bill for him, he had to live in a room of no electricity. And at the end of the day author becomes a poet and writes poem on his love Indu.

In the later part Stewart Granger, a film star, comes into picture. His arrival was discussed by the people of Dehra and then he comes, troughs a party and then leaves as the shooting had been shifted. Later author mention the arrival of his twenty first birthday and mentions the importance of the age and his four years stay in London as a freelance writer. After that Sitaram helps the author to get out of his stomach ache, after which they discusses about the authors birthday. Author and Sitaram goes to a bicycle ride for a refreshment and gets a pleasant time and author imagines his dad standing there and says some inspiring words to him and recall a poem by Nelson Eddy. On the way back author sees Indu and invites her to his birthday and also discusses about his manly hood and his willingness to get Indu as his life partner and after wards author and Sitaram goes to a move with cheap ticket where Sitaram turns on by seeing actress Madhubala, meanwhile author explains some cinema stuff in Dehra .and jai Shankar appears and asks for jilebis whose amount is paid by Sitaram. After that they discusses about the Shankar’s new painting and at the end of day author offers Sitaram to stay with him.

 Meanwhile author’s birthday comes and Sitaram gets a present to the author and also author lucks gets better as an unknown person comes in and pays him 10 rupees for giving name to his new toilet design. After that birthday party starts and all gets attended including Indu and her mother and food items were supplied by author’s landlady and Indu gives a present of box filled of ‘a handful of nuts’ and leaves with her mother.

 Author feels very good for having a companion like Sitaram and says that he likes sitaram accompanying his bicycle rides and also other things and then Dileep kumar gets out of saloon, who is here to meet an old friend of him. Meanwhile Great Gemini Circus starts in the little grounds where author and sitaram goes and finds Indu with prince of purkazi and gets feeling of jealousy towards him after wards author tries not to get bad impression from his co-author Nergis Delal. Sitaram gets some much attracted towards the circus and mainly toward circus girls and afterwards sitaram gets busy for a couple of weeks and appoints himself as a helper to the circus people and helps them to get the things whatever they want .and gets a job there as the manager of the circus likes him and he was willing to pay a fee of 200 rupees to Sitaram. Afterward an interesting character called G.V Desani, a guy who carries a coffin with him where ever he goes as he feels that he gets better sleep in it, and asks for Ruskin signature for petition to a Nobel Prize for his novels and asks for some other writers address.

Later author brings the story to his family and his ancestors and explains his family’s past briefly and clearly sitting in the cemetery where his relatives have been buried for years and sees a escaped circus tiger and passes the information to Sitaram and who interns alters the circus people and author mentioned in a funny how the people of Dehradoon reacted on the passing of tiger in the streets and which later gets disappeared into nowhere. When author entered Indu’s house for her, her mother gets him and gives him a bad kiss and author gets sick of and gets afraid of her, and escapes as soon as he can and tries to avoid her after that whenever he sees her. And Sitaram gets a chance to leave Dehra with the circus and mentions it to the author and which brings a feeling of desertedness and author expressing his inability to get Indu and his jealousness towards the cricket playing prince and goes for a cycle ride and gets followed by Maharani of Magador and try to escape for her and he did succeed. And here the story gets to the climax.

Sitaram leaves him and goes with circus and author feels that he lost his love Indu and thinks of withdrawing money from the bank and leaves the town for a while and returns to find his dear roommate has returned because author thinks that he missed him and also gets a cheque of seven hundred from a newspaper to his novel and thereby turns his future.

The story ends like this, Indu turn out to be a nice and graceful lady and gets married to a hotelier and Sitaram lives with the author for a while and later he tries his fortune in Bollywoodand in turn becomes a famous actor and asks author to stay with him which author refuses. 

Plot and settings: The story of ‘A Handful of Nuts ‘ was set in post independent India of 1955 in the lovely land scape of the dehra doon where had lived his teen age and his youth . the landscape and beautifulmountains of the dehra clearly influenced author in the story. 

Characters:

RUSKIN: A man of very young age who aspires to get success in the field of writing and constantly get diverted by the romance and escapades and other distractions and he is a lovely character about whom the story keeps on around. 

SITARAM: He is the son of the local dhobi who turns out to be a good friend and a great companion to the author and he is main supporting character in the story and without whom story will turn out to be a boring one. 

INDU: She is the love the author and the daughter of royal family and who likes author as a friend but it was never mentioned in the story that she has feeling for the author. Her character plays a key role in bringing the romantic feeling in the story. 

MAHARANI OF MAGADOR: She is the mother of Indu, who doesn’t accept author as a right choice for her daughter and later in the story she tries to seduce the other. 

JAI SHANKAR: He is a friend of the author and who normally gets money for the small things for the author, he is actually from the doom school and he wishes to be an artist, poet and diarist, somewhat in the manner of Andre Gide. And he always asks for treat of jalebis whenever he meets the author. 

WILLIAM MATHESON: From Swiss, had served in the French foreign legion, and William had been drifted into the dehra as the assistant to a German newspaper correspondent. He is also like jai Shankar who gets small amount from the author and never returns to him. 

LANDLADY: She is the owner of the room in which the author lives and she is typical old women of 1930’s and she is good to the author in some issues. 

STEWART GRANGER: A British film star who is in his 30’s passes through the dehra for his shooting and got the attention of the people of dehra. 

CIRCUS TIGER: It’s an old circus tiger which escapes from the circus and enters the cemetery when the author was there and later enters the town creating panic among the people and vanishes into nowhere. 

PRINCE OF PURKAZI: He is the prince of purkazi state and the one who tries to get married with Indu.

**************************************************************************

Follow our YouTube channel to get English Literature summaries and Communicative English Lesson explanations and Task Answers. Click this link: πŸ‘‰ Saipedia 

Kanthapura by Raja Rao summary, Indian Writings in English| B.A English Literature 1st Year 1st Semester

  B.A English Literature

[1st Year, 1st Semester] 

Core Paper IV: INDIAN WRITINGS IN ENGLISH 

Unit - 5 : Fiction

Kanthapura by Raja Rao

About The Author:

            Raja Rao was born in 1909 in the village of Hassana, in Mysore in a very old South Indian Brahmin family. He lived in France from 1928 to 1939, returned to India on the outbreak of World War II in 1940 and again went to France in 1946 and lived there till 1956. It was in France, thousands of miles away from India that his first novel Kanthapura (1938) was written. His love for Indian culture and philosophy colors his second novel The Serpent and the Rope (1960). 

Introduction:

Raja Rao's novel Kanthapura is the first major Indian novel in English published in 1938. It is a fictional but realistic account of how the great majority of people in India lived their lives under British rule and how they responded to the ideas and ideals of Indian nationalism.

The theme of Kanthapura may be summed up as ‘Gandhi and our Village’. Though the narrative style makes the book more a Gandhi Purana than a piece of mere fiction. Kanthapura follows the oral tradition of Indian Sthala-Purana. The story is narrated in flashback by Achakka. The style of Raja Rao in Kanthapura combines the flexible expression of English languages with the fast tempo of Indian speech in a very pleasant manner. It provides delight to the Indian readers because those of simple yet beautiful English prose.

Summary: 

The story of Kanthapura is about a village in the south of India and how the rise of Gandhism in the 1930s affects it. It is told by an old woman named Achakka, but she uses the word "we" a lot and doesn't say much about what she thinks and feels.

Moorthy is the major character in this book. He is a young man who lived in the city and was kind, smart, and educated. Moorthy becomes a follower of Gandhi and goes back to his village to share the Mahatma gospel, which is mostly about freedom from British colonial rule and self-rule. He goes from house to house to talk about how important Gandhi's fight for freedom was. As he carefully explains to his neighbours how love, truth, and nonviolence will help them get free, he gains more and more support. One of his more divisive ideas is that the Pariahs shouldn't be shunned as much as they are.             

Moorthy and a few other young guys are leading the way in the village to set up a Congress Committee. People from the city who work for Gandhi bring informational papers that are given out for free to make sure people know what the goals of the freedom movement are. The Congress makes a Corps unit whose job is to teach people in the movement how to stay nonviolent at all times, even when government forces are trying to hurt them.

As soon as Gandhi's freedom movement starts up in Kanthapura, the British government comes up with plans to stop it and keep Gandhi from getting too far. Bade Khan, a police officer, is sent to Kanthapura village by the government to calm things down. Bhatta, who owns a lot of land and is rich, helps the police officer and tries to get his friends to turn against Moorthy.

Moorthy and his followers gather the village to protest how the Pariahs (coolies) at the Skeffington Coffee Estate, a British plantation nearby, are treated badly. They hold protests and shout their support for Gandhi. In response, the colonial police hurt many locals and arrested others. Villagers expect justice and take to the streets to protest this decision. The colonial government reacts more harshly this time. During the picketing, the cops don't care about old people, kids, or women. When they see their fellow locals being hurt by the government, the coolies who work at the Skeffington Coffee Farm get angry. They decide to join the protest, which makes things even worse. Because of this, Moorthy is taken into custody and given a long prison sentence. Rangamma stays and runs the Congress to continue Gandhi's fight for freedom. She is well-educated and well-liked. She gets a lot of young women together and teaches them to lead the fight for freedom. Moorthy finishes his sentence and stays away from Kanthapura to work for the cause.

The leaders of the movement start a campaign asking their followers not to pay taxes and land income to the government. They teach their members how important it is to stay peaceful even though the government is trying to take away their farms and property. As a response, the government goes to Kanthapura and beats and shoots the marchers, hurting thousands of them. When people are shot without mercy, protesters start to fight back. The protesters are put down by government troops, and they are then forced to leave the village. Some of the women set fire to the village before leaving. They find safety and comfort in a nearby village, but most of them will stay here for good. 

Characters List:

Moorthy: Moorthy is a young Brahmin who has gone back to his home town of Kanthapura. He is described as a "noble cow" who is "quiet, generous, serene, respectful, and brahmanic". He gets a lot of ideas from Mahatma Gandhi's effort to free India through nationalism. People in Kanthapura love and admire him, and they decide to follow him without question. In the book, he is called the "small mountain," while Mahatma Gandhi is called the "big mountain." He is able to set up the Congress Party in Kanthapura according to Gandhian ideas. He sticks to truth, nonviolence, and civil disobedience, and he won't even protest the fact that he is in jail. At the end of the book, he is out of jail and wants to help Gandhi and Jawarhal work towards "swaraj" (self-rule).  

Bhatta: Bhatta owns a lot of land in Kanthapura and is very rich. He takes advantage of the people in the village and has nothing to do with Gandhi's ideas. He then works against Moorthy when he tries to start the Congress Party. He does this because he is a secret spy for the British government. During the revolt, people burned down his house. 

Patel Range Gowda: Patel Range Gowda is the village's official Chief Executive Officer. But he runs the whole town like the mayor. Range Gowda has a strong and intimidating presence, and no choice can be made without his approval. People in the town call him the "tiger" a lot. He uses his social power to help Moorthy, and in the end, his patelship is taken away from him.  

Rangamma: Rangamma is a strong woman with a "different, soft-voiced, gentlegestured" manner, but she can also read and write. She is a widow with no children, but people admire her because she is determined and has high goals. She thinks that Gandhian Moorthy is better than Bhatta's religious rule. She teaches the women of Kanthapura how to resist without violence and gets them to form a group called "Sevis." Eventually, she is put in jail.  

Bade Khan: Bade Khan is a Muslim police officer who just moved to Kanthapura. He is big and has a beard. Skeffington Coffee Estate is where he stays. He works for the British government and doesn't like protests of any kind. At one point, when Moorthy tries to meet the people who work on the coffee farm, he beats him badly. 

Kamalamma: Kamalamma is the sister of Rangamma. She stands in stark contrast to the values exhibited by Rangamma. She rejects her sister's conversion to the Gandhian lifestyle. The only concern on her mind is to somehow remarry her widowed daughter Ratna

Ratna: Ratna is the fifteen-year-old daughter of Kamalamma. However, she has more in common with her Aunt Rangamma. She, too, is inspired by the Gandhian philosophy. She is very iconoclastic and independent and does not care for traditional social propriety. She leads the Sevis after Rangamma's imprisonment, having attained a new gravitas and wisdom. At the end of the novel, after having spent some time in prison, she comes out to visit the people of Kanthapura and then heads to Bombay.

Narsamma: She is Moorthy's elderly mother, who loves her son very much but is extremely distressed to think about the trouble he is bringing to the village—especially excommunication. She eventually dies due to her distress.

Narrator: The narrator is an old widow with only sons, one of them being Seenu. We do not learn much about her as an individual, as she always speaks collectively.

Waterfall Venkamma: She is a spiteful, gossipy, and constantly aggrieved woman in the village.

Ramakrishnayya: He is the learned, elderly father of Rangamma. One evening, he trips and loses consciousness, then dies.

Jayaramacher: He is a Harikatha-man Moorthy brings to the village for the Ganeshjayanthi. Instead of telling them about Rama or Krishna, he tells the villagers of Mahatma Gandhi. This causes a bit of trouble and he is not invited back.

Mr. Skeffington (Nephew): The successor to control of the Skeffington Coffee Estate, he does not beat coolies like his uncle did, but takes Indian women for his own pleasures and punishes their husbands/fathers when they do not go easily.

Mr. Skeffington (Uncle): The British owner and founder of the Estate, he is cruel to those who work for him. Seenu: One of the narrator's sons, he becomes a Ghandi-man and works with Moorthy, teaching the Pariahs and helping with the Congress committee. He is arrested and is still in jail at the end of the novel.

Siddayya: A coolie at the Skeffington Coffee Estate, he has been there a long time and tries to let the new coolies know what they should expect here.

Rachanna: One of the most prominent Pariah men in the text, he is killed in the uprising.

Nanjama, Chinnamma, Seethama, Satamma, Ningamma, Vedamma: They are village women.

Vasudev: A Ghandi-man and comrade of Moorthy's, he helps organize the Pariahs at the Skeffington Estate.

Rangappa: He is the Temple brahmin, who is against the Gandhist movement in the village.

Seenappa: He is an advocate who loses his wife and who Bhatta sets up with Venkamma's daughter in order to win her loyalty against Moorthy and Gandhism.

Sankar: The secretary of the Karwar Congress committee, he tries to help Moorthy fight his charge, but agrees to help run the meetings in his stead. He has Rangamma come live and work with him. He is an ascetic widower who will not remarry because he loved his wife so much, but the people are generally fine with this because they respect him despite his idiosyncrasies.

Ranganna: He is a Brahmin who opens his private temple to the Pariahs. He is arrested when he gives a speech at the Congress criticizing the Swami and the British government.

Seetharamu: He is an advocate who lives in the city and will not remarry because he loved his wife so much. He provides the villagers with updates as to what is going on with Moorthy. At one point, he is thrown in prison himself, and has horrible stories to tell of its conditions.

Radhamma: She is a village woman who gives birth during the uprising. 

Puttamma: She is a village woman who is raped during the uprising.

**************************************************************************

Follow our YouTube channel to get English Literature summaries and Communicative English Lesson explanations and Task Answers. Click this link: πŸ‘‰ Saipedia 

Sunday, October 20, 2024

Dance Like a Man by Mahesh Dattani summary, Indian Writings in English| B.A English Literature 1st Year 1st Semester

 B.A English Literature

[1st Year, 1st Semester] 

Core Paper IV: INDIAN WRITINGS IN ENGLISH 

UNIT 4: Drama

Dance Like a Man by Mahesh Dattani 

About the Author:           

            Mahesh Dattani was born on 1958 and he is one of the most celebrated playwright of India. His plays are well-known for addressing issues that society tries to hide or turn their face away from. In his plays he talks about homosexuality, he talks about HIV positive people, talks about physically challenged people and touching these radical themes like gay, child abuse, homosexual, he is expanding the new horizons for Indian English Drama.

          He created a theatre group named Play Pan in 1984. Dattani has written 11 stage plays, 7 radio plays and 3 screen plays. His notable works are Where There’s a Will (published in 1986, it is an example of Black Comedy), Dance Like a Man (1989, it deals with patriarchy), Tara (1990, it deals with gender discrimination), Final Solutions (1993, it deals with partition, communal violence) and The Big Fat City (2012).

About Play: 

The play ‘Dance like a Man’. It is a stage play in two acts. It is one of the most wonderful dramatic creations of Mahesh Dattani. The play was first performed at Chowdiah Memorial Hall, Bangalore on 22 September 1989 as a part of the Deccan Herald Theatre. 

The play depicts the clash between issues such as marriage, career and the place of a woman in patriarchal social set up. It deals with the lives of the people who feel exhausted and frustrated on account of the hostile surroundings and unfavourable circumstances. The story is unfolded in time past and time present. 

Dattani focuses on the conflict and clash between three generations, their conflicts and individual struggle. It tells the story of three generations; their personal ambitions, sacrifices, struggle, compromises, internal conflicts and the way they try to cope up with the life; and mainly focuses on a dancing couple. 

Characters:

1Jairaj - Ratna’s husband, who wants to become a dancer.

2. Ratna - Jairaj wife

3. Amritlal - Jairaj’s father

4. Lata - Jairaj and Ratna’s daughter

5. Vishwas – Lata’s husband, Jairaj’s son-in-law.

Summary:    

The story revolves around three generations. Jairaj and Ratna want to develop their career as a dancer. Dance for them is not only their passion but also their life and soul. They want to develop their careers in this field. The stereotypes of gender roles are set in the society and in spite of that Jairaj goes on to pursue his career as a dancer. This is the twist that the playwright gives to the stereotypes associated with ‘gender’ issues that view solely a woman at the receiving end of the oppressive power structures of the society. The play flips open in the opposite gender’s point of view and shows that even men can be a part or a victim to such circumstances by being oppressed, and suppressed by the opposite gender and society. 

Jairaj and and Ratna have to live within the domain of the ‘patriarch’ Amritlal, father of Jairaj. Dance for Amritlal is a profession of a prostitute and which is why he cannot accept his daughter-in-law learning it and is unimaginable for his son to learn it and make career out of it. Mostly this is also because he was a reformist and people would laugh at him for Jairaj’s actions and his reputation would be sacrificed. 

He cannot tolerate the sound of dancing bells in his home and his son roaming around with the tinkling of bells in his leg during the practice session. His father also hates the effeminate guru that comes to their house and also the long hair that he and his son both have kept. So Ratna goes on to learn the dance from a lady who lives in a brothel. Amritlal thinks that the temples have slowly turned to brothels as they practice dance there. He forbids Ratna to visit the old devadasi who teaches her the old forms and techniques of ‘Bharatnatyam’ which were slowly extinguishing. 

Here there are subtle signs that learning dance and having a guru like that would definitely make him an effeminate man which suggests the idea of homosexuality though it is not explicitly mentioned anywhere in the text. 

As he cannot accept his son pursuing his career as a dancer, he tries all the possible means to stop him from seeking his ambition. He removes them from his house and his property, not giving them a single penny to survive. 

Jairaj, leaves and take Ratna along with him. But the results are disastrous. They stay at Ratna’s uncle’s house and he tries to take advantage of her and so they leave the house only to return. 

He then later makes a deal with Ratna. He says that he will allow her career to take off only if she helps him pull Jairaj out of his passion and make him a more ‘manly’ man. 

The character of Ratna can be called as that of a selfish one because she agrees to her father-in-law’s demands and also considers that there would be one less person to compete with. She constantly misguides him and plays with his emotions in spite of being his partner. Though Jairaj was a male member, he never forced his opinions on anybody and instead of that Ratna would always dominate and take decisions for herself, for him and now their daughter as well. 

She wanted her own career to prosper and so she is willing to sacrifice her husband’s career in the process. She was blinded by her passion so much so that she joined hands with Amritlal. This subtly displays the relationship she herself shared with Jairaj which was more for her own personal motive than anything else. She married him because Jairaj himself was a dancer and he would never stop her from dancing even after getting married. Had it been that she would have married another man, there was a possibility that she would be deprived of her career and her passion and she would be helpless. 

When Jairaj possibly knew about her motives, the purpose was already achieved, that he was a failed dancer and that he did not make much out of his life. He had become an alcoholic. She constantly took advantage of Jairaj’s love for her and being his wife. She pushed him into the world of dance though she knew that he was not a great dancer himself, and would not reach the place among the top dancers, as he was just a mediocre dances. She was responsible for Jairaj’s undoing as a character as well as a dancer. 

Ratna here did not stop but went on to make her daughter Lata, also a Traditional dancer. She used her daughter too, to earn fame and money all over the world. She schemes and manipulates and uses all her contacts to put her daughter’s career on the right track right from the start. She also uses the contacts to get appreciative reviews for her daughter’s performance. Lata here is seen as the younger Ratna who succeeds with the help of her mother. 

Later, in the play Jairaj blames his wife for their son’s death as she wanted to be successful and she had left him home along with a nanny. The nanny had given him a sleeping dose so that he would stop crying and that she could also sleep peacefully but unfortunately, she gave it too much in quantity which ultimately led to his death. Jairaj blames her for his unsuccessful career. 

Dattani uses the technique of Traditional Dance as a medium to portray the conflict of gender issues in the play. Hence his plays are relevant and will be relevant even for years to come. Amritlal would never accept his son becoming a dancer, Ratna misguided him, Jairaj was blamed to be not being a man enough to earn and support his family. All these things led to the circumstances that show how gender stereotype works in the Indian society. 


**************************************************************************

Follow our YouTube channel to get English Literature summaries and Communicative English Lesson explanations and Task Answers. Click this link: πŸ‘‰ Saipedia 

Sunday, September 22, 2024

Indian Women by Shiv K Kumar Poem summary| Indian Writings in English| B.A English Literature 1st Year 1st Semester

B.A English Literature

[1st Year, 1st Semester] 

Core Paper IV: INDIAN WRITINGS IN ENGLISH 

UNIT 2: Poetry

Indian Women by Shiv K Kumar

πŸ‘†Click the above image to listen the explanation of this poem

About Poet:

         Shiv K. Kumar was an Indian English-language poet, playwright, novelist, and short story writer. He was born in Lahore in 1921. He obtained his doctorate in English Literature from the University of Cambridge.

         He has published thirteen volumes of poetry, five novels, two collections of short stories, a play, and this translation of Faiz Ahmed Faiz’s poetry into English. His own poems have appeared in several renowned newspapers and magazines like the New York Times, Poetry Review (London), Western Humanities Review, among others-and been broadcast on BBC.

            He received the Sahitya Akademi Award in 1987 for his collection of poems Trapfalls in the Sky. In 2001, he was awarded the Padma Bhushan for his contribution to literature. He died on 2017 at age of 95.

About Poem:

            The poem Indian Women by Shiv K Kumar i s from the collection of poetry Cobwebs in the Sun published in 1974. The poet describes the lifestyle of the typical Indian women in the villages. How they live in the patriarchal Indian society, their character, practices, and activities of their daily life. He culturally defines these women and their nature in this poem. This poem can be considered an embodiment of describing an Indian woman.

            Often he takes a simple fact or incident and develops it into a point where it acquires a new meaning. The poem projects Kumar’s response to a situation: the impoverishment of the human spirit. Images of vainness and despair highlight the structure of the poem.

POEM:

In this triple-baked continent

women don’t etch angry eyebrows

on mud walls.

Patiently they sit

like empty pitchers

on the mouth of the village well

pleating hope in each braid of their mississippi-long hair

looking deep into the water’s mirror

for the moisture in their eyes.

With zodiac doodlings on the sands

they guard their tattooed thighs

Waiting for their men’s return

till even the shadows

roll up their contours and are gone beyond the hills.

Summary:

The poem “Indian women” by Shiv K Kumar deals with endless story of sufferings of women of Indian subcontinent. The highly structured patriarchal society evolved in India through its long history of political and historical upheavals, in which women are the most oppressed and exploited lot. In such distressed conditions, the Indian women practice their infinite patience in their lives while they go through triple-baked sufferings at the hands of the sun, sex and poverty. The harsh sun makes them to trek long distances to fetch water. In this process, she is baked like a pitcher in the hot sun. In her conjugal duties, she is the most exploited in terms of sex as she is only letting her man to extort his love from her.  Thirdly, the women are the worst sufferers from the excruciating poverty of her family.   

They do not etch their angry brows on the mud walls, because within their homes their status remains so insignificant. Their emotions are completely neglected.  Within the mud walls of their homes, they are the passive receivers of male love and anger without their participation. “Mud walls” indicate the existing poverty, a condition which does not affect the women alone but all members of the household. But man can etch his brows on the mud walls (raise his eye brows in anger) and the woman cannot.

patiently they sit like empty pitchers on the mouth of the village well

pleating hope in each braid of their Mississippi-long hair

looking deep into the water’s mirror

for the moisture in their eyes.

This beautiful image evokes the typical Indian village woman who spends much of her time like an empty pitcher in the mouth of the village well. It is the duty of the woman to fetch the required amount of water for the domestic purpose by trekking long distance. She sits on the mouth of the village well like an empty pitcher waiting for her turn to collect water from the well.  But, the water is just trickle and is not so deep to read her reflection with tears in her eyes. Even in this hopeless distress, they pleat hope in each braid of their Mississippi-long hair.

Guarding their tattooed thighs

waiting for their men’s return

till even the shadows

roll up their contours and are gone beyond the hills

Tattooed thighs of women refers probably the names their men (hubands) are tattooed to indicate the ownership of their femininity.  The female has only the duty to preserve her chastity of her femaleness by guarding her thighs against possible intruders. The guarding of her chastity is done not for herself but for the man whose name is tattooed on her thighs. She waits for her man’s return who has gone beyond the hills.  It is now dusk and all the women have already left the well for their homes. The shadows have vanished and the Sun has sunk beneath hills. But, the woman is still waiting for the return of her spouse. Hence, Patience is the virtue for the most cherished women in India.

           Indian women are known for their coyness. Out of shyness, they tend to make doodles in the sand. This is a cultural way of showing positive affection towards the partner or topics related to their partners. ‘They guard their tattooed thighs’. This is again connected with culture. Women have their husbands’ names tattooed on their thighs; this means the woman belongs only to that man (as if she is a property)00. She is supposed to take care of it, in the sense she has to be careful not to get indulged with any other man because that would bring shame to her husband.

          Women wait for their respective men to come back home safe till the night comes (who have gone to work beyond the hills for the family as there is poverty). This is the daily routine of culturally bound Indian women.


***************************************************************************

Follow our YouTube channel to get English Literature summaries and Communicative English Lesson explanations and Task Answers. Click this link: πŸ‘‰ Saipedia 

Saturday, July 27, 2024

Our Casuarina Tree by Toru Dutt poem summary| Indian Writings in English| B.A English Literature 1st Year 1st Semester

 B.A English Literature 

[1st Year, 1st Semester] 

Core Paper IV: INDIAN WRITINGS IN ENGLISH 

UNIT 2: Poetry

“Our Casuarina Tree” by Toru Dutt

About Poet:
Toru Dutt (1856–1877) poet, novelist, essayist and translator who was an outstanding pioneer in the history of Indian literature. She contributed regularly to the ‘Poet’s Corner’ of The Bengal Magazine and The Calcutta Review, publishing a series of English translations of French poetry between March 1874 and March 1877. The only work that was published during Toru’s lifetime was A Sheaf Gleaned in French Fields (1876).

Toru Dutt was the first woman writer in the history of Indo-Anglian literature. She was undeniably the finest flower of Indian Renaissance that began with Raja Rammohun Roy- the tireless crusader for English education in India.

About Poem:
‘Our Casuarina Tree‘ is an ode by the famous Indian poet Toru Dutt. It was published in her collection of poems Ancient Ballads and Legends of Hindustan in 1882.    
The title ‘Our Casuarina Tree’ is a sign of happiness in the poet’s life. The tree is used as a symbolic representation of the poetess’s past memories. She wrote this poem when she was Abroad. The poem is written in an autobiographical and nostalgic tone.

Structure of the Poem:
‘Our Casuarina Tree’ is divided into 5 stanzas with each stanzas consisting 11 lines, making it a 55 lines poem. Each stanza in the poem follows the rhyme scheme of ABBACDDCEEE. 

Summary:
In the first stanza of ‘Our Casuarina Tree’, the majesty of the Casuarina tree is illustrated in the opening lines. The Casuarina Tree is standing very tall whose summit is near to the stars.

‘Our Casuarina Tree’ begins with a simile. A creeper twisting round and round the uneven rough trunk of Casuarina that has created deep scar around the tree which looks like a huge python creeping around. No other tree, if not it is Casuarina, could survive the chokehold of the creeper. But the giant Casuarina courageously wears the flowers like a scarf and the flowers hanging around the branches of the tree.

Birds and bees are gathered among the flowers all the day. Often at nights, the song of a singing bird overflows the garden in which the tree is standing. The poet describes that the song of bird seems to have no end. The bird continues to sing throughout the while people are at sleep. It seems the song continues until daybreak.

In the second stanza the poetess is delighted to see the Casuarina tree when she opens her window at every dawn. During the winter, a gray baboon is seen sitting statue-like on the crest of the tree watching sunrise while its young baboon leaping and playing on the tree’s lower branches.

The tree occupies a pride place in the garden and in the surrounding area, there are sleepy cows and the delighted song of the kokilas (Nightingale) which preserve the garden’s liveliness. The shadow of the giant tree falls on the huge water tank. And in the shadow of the tree, the water-lilies spring on the water tank which look like a mass of snow is gathered around.

In the next stanza the poet illustrates the magnificence of the tree and the natural beauty of the garden in which the Casuarina tree resides. The tree is so dear to the poet’s soul not because of the grandeur of the tree, but because she has spent all the happy moments under the tree with her siblings Abju and Aru. Whatever the poet has described so far is all her memories and nostalgic recollections of her memories of the tree. Because the Casuarina Tree is so far now.  At present, she resides somewhere else away from the tree, several thousand miles away in an alien land.

She addresses her companions directly “O sweet Companions” and says that the tree is so dear to her only because of them. The tree often arises in her memory blent with the images of her loved companions until her hot tears blind her eyes. The poet could still hear the mournful murmur of the tree even after many years when she is boarded in an alien land. The poet compares the murmur sound of the tree to the sea interrupt on a pebbles filled beach“.

Now in the fourth stanza, the poet is living in a distant unknown land. The strange speech of the Casuarina tree reaches the far unknown lands. However the author is physically separate from the tree, the speaker can hear its sound because she is deeply connected with its memories.

The poet has heard similar sounds or music in distant lands, such as in the sheltered bays, the music of the waves when gently kissed the classic seashore of France or Italy especially when the world is very calm under the moon, and the sound the water-wraith when snoozed in his cave. All these sounds bring forth the image of the Casuarina tree to her mind. The lasting image of the tree with her loved ones haunts her at every vision.

In last stanza, the poet would like to dedicate the memory of the haunting tree to those of loved ones who are now blessed with eternal sleep (died) hoping that the tree may be numbered among the deathless trees like those in Borrowdale (the tree may become immortal) even after her life is done. The poet alludes to Wordsworth’s poem “Yew-Trees” in which he immortalizes the trees in Borrowdale valley in the Lake district. She also wishes the tree be free from ‘Oblivion’s curse’ i.e., it would outlive generations and be celebrated for long as her moving love for the tree has captured it in this poem.

‘Our Casuarina Tree’ is a poem in which the tree becomes the medium for the poet to link between her present and her unforgettable childhood days under the tree. The poetess could still remember the tree because she had all happiness of her childhood under the tree. Our Casuarina Tree is an ode to the happy memories of the poetess around the tree that constantly haunts her in her later part of life.

***************************************************************************

Follow our YouTube channel to get English Literature summaries and Communicative English Lesson explanations and Task Answers. Click this link: πŸ‘‰ Saipedia