Showing posts with label British Literature. Show all posts
Showing posts with label British Literature. Show all posts

Sunday, January 18, 2026

Household Superstitions by Joseph Addison, British Literature, BA English, 2023 - 2024 syllabus, University of Madras

 4. Household Superstitions by Joseph Addison

Author:

Joseph Addison was a famous English poet, author, writer, politician, and classical scholar who lived in the 18th century. He started the daily newspaper The Spectator with his friend Richard Steele and is known as one of the best monthly essayists. At that time, “The Spectator” became a well-known and read newspaper. Besides writing pieces for “The Tatler,” he also wrote over 274 essays for “The Spectator.” “Cato, a Tragedy,” the famous play he wrote, is thought to have sparked the American Revolution through literature. He has also written “The Campaign,” “Dialogue on Medals,” “Account of the Greatest English Poets,” and the failed opera text “Rosamund.”

He also helped to create the English literary group known as the “Kit-Cat Club,” which had strong political ties. His most famous work was the play “Cato, a Tragedy,” which was a hit in England, the New World, and Ireland. Many people think that the play was one of the literature sources that led to the American Revolution. He helped start the daily newspaper “The Spectator,” which was a famous and well-reviewed publication at the time. About 10% of people in the country read the paper, making it the most read newspaper. He passed away at the Holland House in London when he was 48 years old. He was buried in London at the Westminster Abbey in the City of Westminster.

About Play:

The present essay Popular Superstitions deals with the evil of popularly spread and observed superstitions in most of the families. He has not simply counted them but has highlighted their baneful influence on the social atmosphere and shows how they poison the life of man. It is quite full of great enthusiasm against such follies and expresses his earnestness to abolish them. He not only draws our attention to these absurdities that we take dreams to be the prophecies of impending evil or some common incident as a bad omen. The aim behind all this description is not to touch these evils but the intention is clearly reformative. This zeal of reform sometimes makes the essay like a moral teaching. But one thing is certain that the whole piece is a solid and wholesome lesson which will not only smoothen the life of man but make it sweet and congenial. This in itself is an evidence of its significance and that the essayists are honestly performing all their promise they had made in the beginning of this periodical.

 

Text:

            Visions and magic spells, can you despise,

            And laugh at witches, ghosts, and prodigies?

Going yesterday to dine with an old acquaintance, I had the misfortune to find his whole family very much dejected.  Upon asking him the occasion of it, he told me that his wife had dreamt a very strange dream the night before, which they were afraid portended some misfortune to themselves or to their children.  At her coming into the room, I observed a settled melancholy in her countenance, which I should have been troubled for, had I not heard from whence it proceeded.  We were no sooner sat down, but, after having looked upon me a little while, “My dear,” says she, turning to her husband, “you may now see the stranger that was in the candle last night.”  Soon after this, as they began to talk of family affairs, a little boy at the lower end of the table told her that he was to go into join-hand on Thursday.  “Thursday!” says she.  “No, child; if it please God, you shall not begin upon Childermas-day; tell your writing-master that Friday will be soon enough.”  I was reflecting with myself on the oddness of her fancy, and wondering that anybody would establish it as a rule, to lose a day in every week.  In the midst of these my musings, she desired me to reach her a little salt upon the point of my knife, which I did in such a trepidation and hurry of obedience that I let it drop by the way; at which she immediately startled, and said it fell towards her.  Upon this I looked very blank; and observing the concern of the whole table, began to consider myself, with some confusion, as a person that had brought a disaster upon the family.  The lady, however, recovering herself after a little space, said to her husband with a sigh, “My dear, misfortunes never come single.”  My friend, I found, acted but an under part at his table; and, being a man of more good-nature than understanding, thinks himself obliged to fall in with all the passions and humours of his yoke-fellow.  “Do not you remember, child,” says she, “that the pigeon-house fell the very afternoon that our careless wench spilt the salt upon the table?”—“Yes,” says he, “my dear; and the next post brought us an account of the battle of Almanza.”  The reader may guess at the figure I made, after having done all this mischief.  I despatched my dinner as soon as I could, with my usual taciturnity; when, to my utter confusion, the lady seeing me quitting my knife and fork, and laying them across one another upon my plate, desired me that I would humour her so far as to take them out of that figure and place them side by side.  What the absurdity was which I had committed I did not know, but I suppose there was some traditionary superstition in it; and therefore, in obedience to the lady of the house, I disposed of my knife and fork in two parallel lines, which is the figure I shall always lay them in for the future, though I do not know any reason for it.

It is not difficult for a man to see that a person has conceived an aversion to him.  For my own part, I quickly found, by the lady’s looks, that she regarded me as a very odd kind of fellow, with an unfortunate aspect: for which reason I took my leave immediately after dinner, and withdrew to my own lodgings.  Upon my return home, I fell into a profound contemplation on the evils that attend these superstitious follies of mankind; how they subject us to imaginary afflictions, and additional sorrows, that do not properly come within our lot.  As if the natural calamities of life were not sufficient for it, we turn the most indifferent circumstances into misfortunes, and suffer as much from trifling accidents as from real evils.  I have known the shooting of a star spoil a night’s rest; and have seen a man in love grow pale, and lose his appetite, upon the plucking of a merry-thought.  A screech-owl at midnight has alarmed a family more than a band of robbers; nay, the voice of a cricket hath struck more terror than the roaring of a lion.  There is nothing so inconsiderable which may not appear dreadful to an imagination that is filled with omens and prognostics: a rusty nail or a crooked pin shoot up into prodigies.

I remember I was once in a mixed assembly that was full of noise and mirth, when on a sudden an old woman unluckily observed there were thirteen of us in company.  This remark struck a panic terror into several who were present, insomuch that one or two of the ladies were going to leave the room; but a friend of mine taking notice that one of our female companions was big with child, affirmed there were fourteen in the room, and that, instead of portending one of the company should die, it plainly foretold one of them should be born.  Had not my friend found this expedient to break the omen, I question not but half the women in the company would have fallen sick that very night.

An old maid that is troubled with the vapours produces infinite disturbances of this kind among her friends and neighbours.  I know a maiden aunt of a great family, who is one of these antiquated Sibyls, that forebodes and prophesies from one end of the year to the other.  She is always seeing apparitions and hearing death-watches; and was the other day almost frighted out of her wits by the great house-dog that howled in the stable, at a time when she lay ill of the toothache.  Such an extravagant cast of mind engages multitudes of people not only in impertinent terrors, but in supernumerary duties of life, and arises from that fear and ignorance which are natural to the soul of man.  The horror with which we entertain the thoughts of death, or indeed of any future evil, and the uncertainty of its approach, fill a melancholy mind with innumerable apprehensions and suspicions, and consequently dispose it to the observation of such groundless prodigies and predictions.  For as it is the chief concern of wise men to retrench the evils of life by the reasonings of philosophy, it is the employment of fools to multiply them by the sentiments of superstition.

For my own part, I should be very much troubled were I endowed with this divining quality, though it should inform me truly of everything that can befall me.  I would not anticipate the relish of any happiness, nor feel the weight of any misery, before it actually arrives.

I know but one way of fortifying my soul against these gloomy presages and terrors of mind; and that is, by securing to myself the friendship and protection of that Being who disposes of events and governs futurity.  He sees, at one view, the whole thread of my existence, not only that part of it which I have already passed through, but that which runs forward into all the depths of eternity.  When I lay me down to sleep, I recommend myself to His care; when I awake, I give myself up to His direction.  Amidst all the evils that threaten me, I will look up to Him for help, and question not but He will either avert them, or turn them to my advantage.  Though I know neither the time nor the manner of the death I am to die, I am not at all solicitous about it; because I am sure that he knows them both, and that He will not fail to comfort and support me under them.

Summary:

One day, an old friend invited Addison and his family to dinner. They had been friends for a long time. When Addison got home, he was surprised to find that his whole family was not happy. The explanation was that the lady of the house became afraid of something after having a nightmare the night before. They were afraid that the family would soon suffer a terrible misfortune as a result of the dream. Because of all these factors, Addison came to the conclusion that the hostess in question was a very superstitious woman. Everything that happened within the family confirmed his belief that the superstitions had a strong hold on the whole family. Addison was very confused and agitated throughout his prolonged. He admits that his friend was a good man, but he didn't fully understand. He was not a particularly intelligent man. He would always agree with his wife, no matter how absurd her beliefs were. She was adamant that dreams could portend either good or bad things. They also had strong beliefs in many other superstitions. On Christmas Day, they never began any new projects. They considered spilling salt to be unlucky, and if it happened during dinner, the family's mood was negatively impacted. The family would become hopeless and depressed if the knife and fork were placed across each other on the dish. Even eating dinner with this type of family was agonizing for Addison. They thought Addison was beginning to become a problem because he had slid the knife and fork across his plate and spilled the salt. Additionally, they thought he was the man they had dreamed about the night before. Addison thought their beliefs were absurd, so he finished his dinner quickly and left them, sparing himself and his host any embarrassment.

            Addison expresses the reality that he recognizes and understands when he is no longer required or desired by an organization. Likewise, he had realized right away that he was not welcome at his friend's family. The hostess saw him as unwelcome and bad news for her family. Naturally, he left right away after the meal. When he got home, he was very introspective and thought carefully about what had happened to him. He concluded that the absurd superstitious idea was the only source of everything that had happened that night.

            He concluded that the imaginary and illusory suffering that afflicts humanity is due to superstitions. Suffering results from these absurd and ridiculous acts. Those who take superstitions and omens seriously are the biggest idiots. Even in situations where there is no suffering or misery in our lives, superstitions lead to disasters. As a result, we suffer from imagined and unreal suffering just as much as from real accidents and catastrophes. He enumerates the greatest superstitions, such as a star shooting or an owl screaming at night. They cause unnecessary worry in our lives. These individuals constantly experience anxiety and suffering because they perceive disaster in every circumstance.

Addison claims that when elderly women are physically ill and unable to carry out any meaningful work in life, it is difficult for them to pass the time. In an attempt to kill time and keep themselves busy, they spend their time making ridiculous predictions about an approaching tragedy. They instill such evil and absurd ideas in the minds of the simple-minded, causing them to live in constant fear of some unanticipated disaster. Thus, they are the primary source of the superstitious threat that is permeating society. This kind of fear is especially felt by those who are simple and pure. In such a situation, it is the duty of the intelligent people to rescue them from such foolishness and allay their illogical fears. They should convince them of their immorality and teach them to think logically.

They should show them how ridiculous these illogical ideas are. In the essay's concluding section, Addison talks about himself and declares that he doesn't practice any form of superstition or divination. He contends that this behavior worsens and causes more mental suffering rather than making him happy. He laughs and says that even if he could have seen his future, he would not have. Instead, he would prefer to keep worrying about what is actually happening to him. He continues by saying that it would be better to put oneself under God's watchful eye rather than be afraid of the paranormal predictions. No matter what, only God can save him from all the tragedies and evils of life. In this way, Addison demonstrates his unshakable faith in God and rejection of all other absurd beliefs. This religion not only gives him a great deal of solace from life's trials and tragedies, but it also protects him from the unreasonable, absurd, and imagined fears that cause suffering. 

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The Spectator Club by Sir Richard Steele, British Literature, BA English, 2023 - 2024 syllabus, University of Madras

 The Spectator Club by Sir Richard Steele

Author:

Sir Richard Steele (1672 – September 1, 1729) was an Irish writer and politician. Steele was born in Dublin, Ireland, and educated at Charterhouse School, where he first met Addison. He went on to Merton College, Oxford, then joined the Life Guards of the Household Cavalry. He disliked British Army life, and his first published work, The Christian Hero (1701).

In 1706 he was appointed to a position in the household of Prince George of Denmark, consort of Anne of Great Britain. He also gained the favour of Robert Harley, Earl of Oxford. In 1709, he founded a thrice-weekly satirical magazine, Tatler, which lasted only two years in its first incarnation. Following the demise of the Tatler, the pair founded The Spectator. 

About Prose:

The essay “The Spectator Club” is the second essay in the ‘The Spectator’. Steele conceived a club with members drawn from different stages of life, society and profession. Each of them has own individual qualities. Thus the club is the miniature version of the society of the day. Yet there is no representative of the lower classes. The club was meant to be of intellectuals. In this essay Steele gives an account of the six gentle men. They were members of the Spectator Club in addition to Mr. Spectator. This essay reveals Steele’s keen power of observation, skill in characterization and his delicate mockery which is easy and informal style.

The Spectator Club is a group of fictional characters created by Joseph Addison and Richard Steele, featured in their periodical The Spectator (1711-1712). The club consists of six members, each representing a different aspect of society:

- Sir Roger de Coverley: a country gentleman

- Sir Andrew Freeport: a merchant

- Captain Sentry: a soldier

- Will Honeycomb: a fashionable gentleman

- Clergy: a cleric

- The Narrator (Mr. Spectator): an observer of society

The club's essays, written by Addison and Steele, offer humorous observations on London life, manners, and morals. The prose is characterized by its clarity, wit, and satire, making The Spectator a pioneering work in English essay writing.

The Spectator was published daily, with 555 issues, and was later collected into seven volumes. The essays were influential in shaping English literature, particularly in the development of the periodical essay and the novel. 

Text:

    The Spectator introduces a group of men that would be regarded as esteemed gentlemen, from their time. The Spectator, No 2,  Friday, March 2, 1711, is an outline of each member's qualifications and why they are affiliated with The Spectator's Club. "These “members” included representatives of commerce, the army, the town (respectively, Sir Andrew Freeport, Captain Sentry, and Will Honeycomb), and of the country gentry (Sir Roger de Coverley)." These men were aimed to represent the most intelligent and influential people of their time. The Spectator was published in London by Sir Richard Steele and Joseph Addison. They assembled these men together to discuss “enliven morality with wit, and to temper wit with morality.” All of these men would help shine a light on the importance of discussion of religious and political partisanship and to make this type of discussion normal. They would create a platform for different writers to show that their individual writing could be entertaining and serious. The Spectator, No 2, Friday, March 2, 1711, is a metaphor for what the hierarchy of England resembled in the 1700's and how society acted.    

The first name mentioned was Sir Roger de Coverley. I believe that he was the first person to talk about in the essay as he best describes the main requirements for being in the club. He is known to have good manners from his peers, he is from the right society being an upper class, and his gender is a white male. Check, Check, Check.  I personally believe that The Spectator's Club chose its members not just from their merit but from their status. Granted it was 1711 and social status was the most important aspect of truly anything, so Sir Roger de Coverley was a good first choice.

 He was best known for being a descendent of his great-grandfather who was the inventor of the famous country-dance, which was named after him. Sir Roger would be regarded by his peers as a fine individual and loved by many. Highly respected by his peer, servants, and is why he is the first mentioned in the essay.

I personally believe that Sir Roger was put first to show the reader that The Spectator was respectable and would use people of stature in society. Sir Roger's role was to represent the integrity of the paper by being the higher-class elite that everyone wants to be.

The next gentleman that was deemed esteemed enough to be apart of The Spectator's club was not named. I believe him being unnamed was to emphasize the importance of the criteria of who is selected to be apart of this group. The man is described as apart of the Inner Temple or basically a lawyer. He is also said to be a man of great probity, wit, and understanding. The mystery man is further illustrated by how his presence could have a positive effect on actors at a play and how people would be lucky if he came to the play as the actors would want to please him. This description of this man is only to further show the importance of the type of people that The Spectator's Club accepts into their club and what audience they are aiming towards. This part is essential to understanding the audience being aimed at as only people that are educated or significant enough to understand the material being discussed is being targeted.

The importance of the mystery man is to also show the hierarchy of the current society. The powerful elite in Sir Roger was followed by a highly educated lawyer.

The next man that meets the criteria is Sir Andrew Freeport. Recognized as a successful merchant in London. Regarded as a man that has noble intent with trade and believes that true power comes from arts and industry.

 I believe that The Spectator including a man such as Sir Andrew Freeport as a similar reason to the mystery man. He first has the gentleman-like qualities needed to be apart of the club and more important introduces a more relatable club member that would expand the audience. At a time in history when many people in England would be working at the port or on a ship, introducing someone that directly involves the shipping industry is not by coincidence.

As the last character, Sir Andrew falls into the order of society as a merchant. This order is not random as Steele is illustrating what he believes to be the society's hierarchy. Elite, Lawyer, and now a merchant. 

The next introduction is for Captain Sentry. He is described as a gentleman of great courage, good understanding, but invincible modesty. A military man that represents the ideal captain. He is never overbearing but does expect the men below him to obey orders as he obeys orders from the men above him. I believe he is aimed to gain the viewership of the military as England was a major powerhouse in the world military at the time and many young men were soldiers. Having someone like Captain Sentry would closely relate to a larger audience and increase the overall popularity of The Spectator.

I also believe it is interesting that Steele would but a Captain or someone that represents the military so low on his social hierarchy. Especially for his time, England was a military powerhouse and soldiers had greater privileges than a typical citizen.  Possible Steele's true views of the military are being shown through his evaluation as the military is only fourth on his society's hierarchy.     

The next gentleman that is introduced is WIll Honeycomb. A man who is described as a  ladies man in every way. Handsome, smart, wealthy, and knows how to dress. I believe that Honeycomb's main purpose is to attract the female audience. Granted at the time only women that came from families that could afford to teach them how to read would be cable of reading this but The Spector left out no possible audience. Men would also be able to see what women would possibly want in a man's character by mimicking Honeycomb.

I personally believe Honeycomb's placement in society's hierarchy makes the most sense. A beautiful man that understands women. Granted he is not the smartest nor the wealthiest but can do someone that other men cannot. That is to be desired by women by more than just their wealth or social position.  

The last person that is talked about is a clergyman. He is regarded as a very philosophical man that rarely joins the club but when he does his presence is welcomed. The clergyman unlike the other is not specifically good with business or influencing a large number of people but is respected in his opinions. I believe that the clergyman is aimed to represent the average man. He may have noticeable faults but also has many respectable pros. He creates the last possible audience that The Speataor could market by encouraging even the average man to read The Spectator.

I believe that the clergyman coming in last was not by mistake. Granted at the time Steele lived, religion did have a very powerful backing but in the terms of logic and wit, I believe Steele purposefully put the clergy at the bottom to make a point that religion is important enough to be on the list but not as significant.

The Spectator's Club is truly remarkable marketing for its time. Without social media or really technology, an individual's ability to connect to a specific piece of writing was essential to the success of any paper or essay. It connected to the audience of that time  With the second issue of The Spectator, Steele was able to do just that and found a way to relate to everyone in his time period. I believe that Steele is showing the audience what he believes to be the social hierarchy of his society.  

Summary:

            The Spectator introduces a group of men that would be regarded as esteemed gentlemen, from their time. The Spectator, No 2,  Friday, March 2, 1711, is an outline of each member's qualifications and why they are affiliated with The Spectator's Club. "These “members” included representatives of commerce, the army, the town (respectively, Sir Andrew Freeport, Captain Sentry, and Will Honeycomb), and of the country gentry (Sir Roger de Coverley)." These men were aimed to represent the most intelligent and influential people of their time. The Spectator was published in London by Sir Richard Steele and Joseph Addison. They assembled these men together to discuss “enliven morality with wit, and to temper wit with morality.” All of these men would help shine a light on the importance of discussion of religious and political partisanship and to make this type of discussion normal. They would create a platform for different writers to show that their individual writing could be entertaining and serious. The Spectator, No 2, Friday, March 2, 1711, is a metaphor for what the hierarchy of England resembled in the 1700's and how society acted.    

The first name mentioned was Sir Roger de Coverley. I believe that he was the first person to talk about in the essay as he best describes the main requirements for being in the club. He is known to have good manners from his peers, he is from the right society being an upper class, and his gender is a white male. Check, Check, Check.  I personally believe that The Spectator's Club chose its members not just from their merit but from their status. Granted it was 1711 and social status was the most important aspect of truly anything, so Sir Roger de Coverley was a good first choice.

 He was best known for being a descendent of his great-grandfather who was the inventor of the famous country-dance, which was named after him. Sir Roger would be regarded by his peers as a fine individual and loved by many. Highly respected by his peer, servants, and is why he is the first mentioned in the essay.

I personally believe that Sir Roger was put first to show the reader that The Spectator was respectable and would use people of stature in society. Sir Roger's role was to represent the integrity of the paper by being the higher-class elite that everyone wants to be.

The next gentleman that was deemed esteemed enough to be apart of The Spectator's club was not named. I believe him being unnamed was to emphasize the importance of the criteria of who is selected to be apart of this group. The man is described as apart of the Inner Temple or basically a lawyer. He is also said to be a man of great probity, wit, and understanding. The mystery man is further illustrated by how his presence could have a positive effect on actors at a play and how people would be lucky if he came to the play as the actors would want to please him. This description of this man is only to further show the importance of the type of people that The Spectator's Club accepts into their club and what audience they are aiming towards. This part is essential to understanding the audience being aimed at as only people that are educated or significant enough to understand the material being discussed is being targeted.

The importance of the mystery man is to also show the hierarchy of the current society. The powerful elite in Sir Roger was followed by a highly educated lawyer.

The next man that meets the criteria is Sir Andrew Freeport. Recognized as a successful merchant in London. Regarded as a man that has noble intent with trade and believes that true power comes from arts and industry.

 I believe that The Spectator including a man such as Sir Andrew Freeport as a similar reason to the mystery man. He first has the gentleman-like qualities needed to be apart of the club and more important introduces a more relatable club member that would expand the audience. At a time in history when many people in England would be working at the port or on a ship, introducing someone that directly involves the shipping industry is not by coincidence.

As the last character, Sir Andrew falls into the order of society as a merchant. This order is not random as Steele is illustrating what he believes to be the society's hierarchy. Elite, Lawyer, and now a merchant. 

The next introduction is for Captain Sentry. He is described as a gentleman of great courage, good understanding, but invincible modesty. A military man that represents the ideal captain. He is never overbearing but does expect the men below him to obey orders as he obeys orders from the men above him. I believe he is aimed to gain the viewership of the military as England was a major powerhouse in the world military at the time and many young men were soldiers. Having someone like Captain Sentry would closely relate to a larger audience and increase the overall popularity of The Spectator.

I also believe it is interesting that Steele would but a Captain or someone that represents the military so low on his social hierarchy. Especially for his time, England was a military powerhouse and soldiers had greater privileges than a typical citizen.  Possible Steele's true views of the military are being shown through his evaluation as the military is only fourth on his society's hierarchy.     

The next gentleman that is introduced is WIll Honeycomb. A man who is described as a  ladies man in every way. Handsome, smart, wealthy, and knows how to dress. I believe that Honeycomb's main purpose is to attract the female audience. Granted at the time only women that came from families that could afford to teach them how to read would be cable of reading this but The Spector left out no possible audience. Men would also be able to see what women would possibly want in a man's character by mimicking Honeycomb.

I personally believe Honeycomb's placement in society's hierarchy makes the most sense. A beautiful man that understands women. Granted he is not the smartest nor the wealthiest but can do someone that other men cannot. That is to be desired by women by more than just their wealth or social position.  

The last person that is talked about is a clergyman. He is regarded as a very philosophical man that rarely joins the club but when he does his presence is welcomed. The clergyman unlike the other is not specifically good with business or influencing a large number of people but is respected in his opinions. I believe that the clergyman is aimed to represent the average man. He may have noticeable faults but also has many respectable pros. He creates the last possible audience that The Speataor could market by encouraging even the average man to read The Spectator.

I believe that the clergyman coming in last was not by mistake. Granted at the time Steele lived, religion did have a very powerful backing but in the terms of logic and wit, I believe Steele purposefully put the clergy at the bottom to make a point that religion is important enough to be on the list but not as significant.

The Spectator's Club is truly remarkable marketing for its time. Without social media or really technology, an individual's ability to connect to a specific piece of writing was essential to the success of any paper or essay. It connected to the audience of that time  With the second issue of The Spectator, Steele was able to do just that and found a way to relate to everyone in his time period. I believe that Steele is showing the audience what he believes to be the social hierarchy of his society.  

**********************************************************************
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Elegy Written in a Country Churchyard by Thomas Gray, Unit 1 Poem, British Literature, BA English, 2023 - 2024 syllabus, University of Madras

Unit - I

1. Elegy Written in a Country Churchyard - Thomas Gray

About Author:

            Thomas Gray (26 December 1716 – 30 July 1771) was an English poet, classical scholar and professor at Pembroke College, Cambridge, best known for his poem Elegy Written in a Country Churchyard, published in 1751.

            While Gray is regarded as the foremost English-language poet of the mid-18th century, he was very self-critical and published only thirteen poems during his lifetime and refused the post of Poet Laureate in 1757.

            He lived most of his life in Cambridge, and enjoyed travelling around Britain. He died in 1771 aged 54, after a short illness.

About Poem:

            Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742. Originally titled “Stanzas Wrote in a Country Church-Yard”, the poem was completed when Gray was living near the Church of St Giles, Stoke Poges. It was sent to his friend Horace Walpole, 4th Earl of Orford, who popularised the poem among London literary circles. Gray was eventually forced to publish the work on 15 February 1751 in order to pre-empt a magazine publisher from printing an unlicensed copy of the poem.

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Summary:

Thomas Gray's "Elegy Written in a Country Churchyard" is a timeless poem that reflects on mortality, the fleeting nature of life, and the beauty of the natural world. The poem is set in a rural churchyard, where the speaker contemplates the humble graves of the villagers.

The poem begins with the speaker describing the peaceful atmosphere of the churchyard at dusk, surrounded by the sounds of nature. He reflects on the simple, unassuming lives of the villagers, who lived and died without seeking fame or recognition. The speaker imagines the lives of the villagers, wondering what stories their graves could tell if they could speak. He ponders on the potential talents and abilities that were lost with their deaths, and how they were never recognized or celebrated.

As the poem progresses, the speaker consoles himself with the thought that the villagers, though unknown, are at peace and free from the troubles of the world. He reflects on the fleeting nature of life and fame, noting that even the most powerful and wealthy individuals will eventually be forgotten. The speaker urges the reader to reflect on their own mortality and the brevity of life, emphasizing that true glory lies not in wealth or power, but in living a simple, virtuous life.

Throughout the poem, Gray uses vivid imagery and symbolism to convey the beauty of the natural world and its connection to human mortality. The churchyard, with its humble graves and simple epitaphs, serves as a reminder of the transience of life. The speaker's reflections on the villagers' lives and deaths create a sense of melancholy, but also a sense of acceptance and peace.

The poem concludes with the speaker reflecting on his own mortality, imagining his own epitaph and the quiet, unassuming life he hopes to have led. The final stanzas are a meditation on the beauty of nature and the comfort it brings to those who grieve. The poem ends with a sense of acceptance and peace, as the speaker bids farewell to the world.

Text:

The curfew tolls the knell of parting day,

         The lowing herd wind slowly o'er the lea,

The plowman homeward plods his weary way,

         And leaves the world to darkness and to me.

 

Now fades the glimm'ring landscape on the sight,

         And all the air a solemn stillness holds,

Save where the beetle wheels his droning flight,

         And drowsy tinklings lull the distant folds;

 

Save that from yonder ivy-mantled tow'r

         The moping owl does to the moon complain

Of such, as wand'ring near her secret bow'r,

         Molest her ancient solitary reign.

 

Beneath those rugged elms, that yew-tree's shade,

         Where heaves the turf in many a mould'ring heap,

Each in his narrow cell for ever laid,

         The rude forefathers of the hamlet sleep.

 

The breezy call of incense-breathing Morn,

         The swallow twitt'ring from the straw-built shed,

The cock's shrill clarion, or the echoing horn,

         No more shall rouse them from their lowly bed.

 

For them no more the blazing hearth shall burn,

         Or busy housewife ply her evening care:

No children run to lisp their sire's return,

         Or climb his knees the envied kiss to share.

 

Oft did the harvest to their sickle yield,

         Their furrow oft the stubborn glebe has broke;

How jocund did they drive their team afield!

         How bow'd the woods beneath their sturdy stroke!

 

Let not Ambition mock their useful toil,

         Their homely joys, and destiny obscure;

Nor Grandeur hear with a disdainful smile

         The short and simple annals of the poor.

 

The boast of heraldry, the pomp of pow'r,

         And all that beauty, all that wealth e'er gave,

Awaits alike th' inevitable hour.

         The paths of glory lead but to the grave.

 

Nor you, ye proud, impute to these the fault,

         If Mem'ry o'er their tomb no trophies raise,

Where thro' the long-drawn aisle and fretted vault

         The pealing anthem swells the note of praise.

 

Can storied urn or animated bust

         Back to its mansion call the fleeting breath?

Can Honour's voice provoke the silent dust,

         Or Flatt'ry soothe the dull cold ear of Death?

 

Perhaps in this neglected spot is laid

         Some heart once pregnant with celestial fire;

Hands, that the rod of empire might have sway'd,

         Or wak'd to ecstasy the living lyre.

 

But Knowledge to their eyes her ample page

         Rich with the spoils of time did ne'er unroll;

Chill Penury repress'd their noble rage,

         And froze the genial current of the soul.

 

Full many a gem of purest ray serene,

         The dark unfathom'd caves of ocean bear:

Full many a flow'r is born to blush unseen,

         And waste its sweetness on the desert air.

 

Some village-Hampden, that with dauntless breast

         The little tyrant of his fields withstood;

Some mute inglorious Milton here may rest,

         Some Cromwell guiltless of his country's blood.

 

Th' applause of list'ning senates to command,

         The threats of pain and ruin to despise,

To scatter plenty o'er a smiling land,

         And read their hist'ry in a nation's eyes,

 

Their lot forbade: nor circumscrib'd alone

         Their growing virtues, but their crimes confin'd;

Forbade to wade through slaughter to a throne,

         And shut the gates of mercy on mankind,

 

The struggling pangs of conscious truth to hide,

         To quench the blushes of ingenuous shame,

Or heap the shrine of Luxury and Pride

         With incense kindled at the Muse's flame.

 

Far from the madding crowd's ignoble strife,

         Their sober wishes never learn'd to stray;

Along the cool sequester'd vale of life

         They kept the noiseless tenor of their way.

 

Yet ev'n these bones from insult to protect,

         Some frail memorial still erected nigh,

With uncouth rhymes and shapeless sculpture deck'd,

         Implores the passing tribute of a sigh.

 

Their name, their years, spelt by th' unletter'd muse,

         The place of fame and elegy supply:

And many a holy text around she strews,

         That teach the rustic moralist to die.

 

For who to dumb Forgetfulness a prey,

         This pleasing anxious being e'er resign'd,

Left the warm precincts of the cheerful day,

         Nor cast one longing, ling'ring look behind?

 

On some fond breast the parting soul relies,

         Some pious drops the closing eye requires;

Ev'n from the tomb the voice of Nature cries,

         Ev'n in our ashes live their wonted fires.

 

For thee, who mindful of th' unhonour'd Dead

         Dost in these lines their artless tale relate;

If chance, by lonely contemplation led,

         Some kindred spirit shall inquire thy fate,

 

Haply some hoary-headed swain may say,

         "Oft have we seen him at the peep of dawn

Brushing with hasty steps the dews away

         To meet the sun upon the upland lawn.

 

"There at the foot of yonder nodding beech

         That wreathes its old fantastic roots so high,

His listless length at noontide would he stretch,

         And pore upon the brook that babbles by.

 

"Hard by yon wood, now smiling as in scorn,

         Mutt'ring his wayward fancies he would rove,

Now drooping, woeful wan, like one forlorn,

         Or craz'd with care, or cross'd in hopeless love.

 

"One morn I miss'd him on the custom'd hill,

         Along the heath and near his fav'rite tree;

Another came; nor yet beside the rill,

         Nor up the lawn, nor at the wood was he;

 

"The next with dirges due in sad array

         Slow thro' the church-way path we saw him borne.

Approach and read (for thou canst read) the lay,

         Grav'd on the stone beneath yon aged thorn."

 

THE EPITAPH

Here rests his head upon the lap of Earth

       A youth to Fortune and to Fame unknown.

Fair Science frown'd not on his humble birth,

       And Melancholy mark'd him for her own.

 

Large was his bounty, and his soul sincere,

       Heav'n did a recompense as largely send:

He gave to Mis'ry all he had, a tear,

       He gain'd from Heav'n ('twas all he wish'd) a friend.

 

No farther seek his merits to disclose,

       Or draw his frailties from their dread abode,

(There they alike in trembling hope repose)

       The bosom of his Father and his God.

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