Thursday, November 14, 2024

Communicative English PDF Book link, For all UG Degree, 1st Year Arts and Science Students in Tamilnadu.

PDF Book links for Communicative English 

TANSCHE Prescribed Syllabus

for all UG 1st year Students

Arts and Science Colleges in Tamilnadu.


  • Communicative English Book - 1st year 1st Semester - PDF link 

- http://www.gactvd.in/Documents/Learning/English/712CE%20Communicative%20English.pdf


  • Communicative English Book - 1st year 2nd Semester - PDF link -

 https://www.periyaruniversity.ac.in/Documents/2021/TANSCHE/English2.pdf 


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Wednesday, October 23, 2024

Laburnum for my Head Temsula Ao summary, Indian Writings in English| B.A English Literature 1st Year 1st Semester

  B.A English Literature

[1st Year, 1st Semester] 

Core Paper IV: INDIAN WRITINGS IN ENGLISH 

UNIT 5: Short Story
Laburnum for my Head Temsula Ao

About Author:

            Temsula Ao is a short story writer and ethnographer.She is a retired professor of English in North Eastern Hill University (NEHU), where she taught since 1975 .In 2013 she received the Sahitya Academy Award for her short story collection, Laburnum for My Head. She has published five poetic works. She collected the myths, folktale, rituals, legal ideas, and custom based system. This ethnographic work was published in 1999 as Ao, Naga oral tradition from Bhasha Publication, Baroda. She is presently the Chairperson of Nagaland State Commission for Women. 

About Story:

            Temsula Ao’s Laburnum for My Head, first published in 2009. Set in the state of Nagaland, this is a collection of 8 short stories by the author revolving around death, life, motherhood, honour and so on. These stories explore a range of emotions, from the mythical to the modern. The stories are described as witty, heartrending, and full of irony.           

Summary: 

    Temsula Ao has presented striking women characters in her works. Her female characters hail from the North-East region of India and they play a crucial role in anchoring the lives of their men amidst the violence looming large around them. These women challenge the injustice practiced by the patriarchal system and also question the cruelties perpetrated by the rebel forces and the government forces alike. They save men’s lives, pacify their fears and act as the moving force in their struggle to survive.

    Lentina, the central character of the story, is a woman of her own choices and the story is a record of her struggles to fulfill her desire to have some Laburnum bushes in her garden. It is interesting to note that she loves laburnum flowers because of their femininity and contrasts them with the brazen orange and dark pink blossoms of gulmohars. In the context of the troubled politics of the North-East, her preference for the yellow mellow beauty of laburnum over the dark pink blossoms of gulmohar is very significant. Traditionally, the colour yellow refers to happiness, optimism, enlightenment and creativity whereas the dark pink is associated with energy, passion etc… This choice of colour itself informs her politics of identifying with the victims of political aggression in Nagaland and her desire for the golden shower definitely evokes a desire for easing down the tensions. She attributes humility to the way the laburnum flowers hung their heads earthward. In short, her love for the flowers spring out of their femininity and humility.

    In the beginning of the story, the writer offers a stunning impression of a laburnum in blossom and describes how the flowers conceal the monuments erected by men of prominence on their graves. It is customary among the wealthy to erect marble/granite or concrete structures on their graves to keep their memories alive and to defy the forgetfulness imposed by death. The feminine flowers of the laburnum help to erase the marks of prominent members of the society and bring out a sense of equality among all humans and declare the victory of nature over everything the patriarchs have created. In another instance, Lentina’s love for the flowers is taken as a fetish and is openly spoken about in close family gatherings. This shows the intolerance practiced by the society on women’s choices and how it forces her to stop planting saplings in her gardens. Though this stops her from talking about the tree in public and planting them in her garden, her love for the golden shower does not cease.

      Lentina’s decision to join the funeral party of her husband to takepart in the last rites at the gravesite is a challenging act to the patriarchal tradition which reserves this to man. Though she is not warmly welcomed, no one stops her from carrying out her plan as the gravity of the situation requires them to keep calm. Her strength lies in her sensitivity to the cultural codes of the society. Her struggles to buy a piece of land of her own choice brings out her extraordinary powers of perseverance and make members of her family to acknowledge her strengths and seek her advice on matters running business and family.

    In her search for fulfilment, she breaks free of human relationships established by the patriarchal system and redefines them. For example, the nature of her relationship with Babu, the driver, was that of a master-slave and now she considers him as an ‘ever faithful friend’ and a confidant. Her determination to select a plot for herself and negotiations with the Town Committee show her strength as a woman and she erases marks of patriarchy in the process.


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