B.A English Literature
3rd
Year 6th Semester
Elective
Paper – BEN-DSE2C
Literatures from the Margin
Unit
3 - Drama
3.1 No Sugar by Jack Davis
About
Author:
Jack Davis (1917–1999)
began writing when he was fourteen years old. The fourth child in a family of
eleven, he spent his childhood in the West Australian mill town of Yarloop. He
worked for several years as a stockman in the north before returning to Perth
and settling into fulltime writing and a long life of service to the Aboriginal
cause. His book publications began in 1970 with The First Born, a volume of
poetry. Jagardoo: Poems from Aboriginal Australia (1978) and John Pat and Other
Poems (1988) followed. His plays include No Sugar, Burungin, Honeyspot, Kullark
and The Dreamers and Our Town. In 1991 his memoir A Boy’s Life was published.
He has received numerous distinctions including the British Empire Medal, the
Order of Australia, honorary doctorates from the universities of Murdoch and
Western Australia. An inaugural Unaipon Award judge, he served as judge on the
panel from 1988 to 1996.
About
Story:
No Sugar, first performed in 1985, is part of Jack Davis’s The First Born trilogy: three plays that trace the history of Aboriginal people in Western Australia from 1829 to the present. Though it was written after The Dreamers (1982), this play moves backwards in time to 1929 to dramatise the story of the Millimurra family’s forced removal from their home in Northam to the Moore River Native Settlement during the Great Depression. No Sugar confronts boldly the harsh treatment of the Nyoongah people at the hands of white administrators, but it also celebrates with humour and pride the resilience of the Nyoongah people to survive brutality and maintain their culture.
Summary:
No Sugar is a postcolonial
play by Indigenous Australian Playwright, Jack Davis. The play takes place
during Great Depression in Western Australia. It showcases the struggles of
aboriginals through the Millimurra-Munday family and their dreadful life in the
hands of white colonisers. The aboriginals are forced to accept the unequal
treatment provided for them. People like Mr.Neal, Mr.Neville who have the
authority to protect them are the ones who exploit and oppress them. They are
stuck in poverty and the government cuts down their rations due to depression.
They are treated as ‘other’ thus disregarding them from the society, they live
in. For instance, Milly gives money to her children to buy apples for lunch but
they are provided with 'shrivelled apples' where the watjela kids get 'fat
apples'. The aboriginals are not allowed to walk after sunset, drink liquor or
mingle with the white people. The Millimurra-Munday family is shifted from
their settlement by providing false excuse of scabies infection to another
settlement only to provide better living conditions for the white settlers in
Northam. Aboriginal girls sent for domestic help for white settlers are
sexually harassed and return home as pregnant but no one is concerned about it.
Davis depicts Australia’s stolen generation through Mary’s fear when Matron
comes to meet her child. The aboriginal children are taken and given away to
the white settlers for adoption. They are converted to Christianity and
children are forced to attend Sunday School. Also, the scene where aboriginals
are shown dancing for the whites depicts the superiority and power they
possess. Billy recounts the Forest River Massacre which shows that genocide
gave the whites a perfect excuse to wipe out a population that lacked value in
their eyes. The play portrays racism, oppression and colonial violence towards
aboriginals and their struggles to survive.
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