BA ENGLISH LITERATURE
FIRST
YEAR - SEMESTER I
CORE I – INTRODUCTION TO ENGLISH
LITERATURE
UNIT II - POETRY
2.2 The Parting by Michael Drayton
About
Author:
Michael
Drayton (1563 – 1631), was an English poet, the first to write odes in English
in the style of Horace. Drayton's sonnets were first published in
1594-fifty-three in number. After revision, elimination, and addition, the
folio of 1619 contained sixty-three sonnets. Drayton's sonnets are entitled
Idea. He employs the term often from 1593 to 1619. It is in his eclogues,
sonnets, odes, the Barons' Wars, and Poly-Olbion.
In
1591 he produced his first book, The Harmony of the Church, a volume of
spiritual poems. In 1596 Drayton published his long and important poem,
Mortimerades, which deals with the Wars of the Roses. The last of Drayton's
voluminous publications was The Muses' Elizium in 1630. He died in London, was
buried in Poet’s Corner at Westminster Abbey.
Michael
Drayton’s ‘The Parting’ (Sonnet 61) is published in his collections ‘Idea’s
Mirror’ in 1594, contains 63 sonnets and again published in ‘Poems’ (1619).
It
is a poem about the breakup of the relationship between the poet and his
companion. This sonnet has a very strict form and the poet has been cautious in
composing his poetry, to assure that it fits the design constraints. In short, the
first eight lines describe the ending of a love affair, that final kiss and
exchange before an amicable parting, never to cross paths again. The final six
lines use personification in an attempt to alter the situation at the last
moment and revivify love.
Text:
SINCE there 's no help, come let us
kiss and part—
Nay, I have done, you get no more of
me;
And I am glad, yea, glad with all my
heart,
That thus so cleanly I myself can free.
Shake hands for ever, cancel all our
vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love's latest
breath,
When, his pulse failing, Passion
speechless lies,
When Faith is kneeling by his bed of
death,
And Innocence is closing up his eyes,
—Now if thou wouldst, when all have
given him over,
From death to life thou might'st him
yet recover.
Summary:
The
poem touches on the themes of love, passion, faith, innocence. Drayton’s theme
is the sad and tender love of a true lover for an unresponsive lady love. It
shows a soft but deepest sense of farewell. The poem is in the Elizabethan
sonnet form having rhyme scheme of abab, cdcd, efef, gg. The poem is in iambic
pentameter. The poem is arranged into three quatrains and one couplet.
The poet expresses his strong emotions
with regard to his farewell from his beloved. There is the atmosphere of
sadness. The poet shows his willingness to get separated permanently for some
unknown reason, but before parting he wants to have a last look of the love.
Though the central theme of the poem is love, but the emotions of sorrow and departure
in the poem play an important role to express the poet’s state of mind. It
becomes difficult for the reader to ascertain whether the poet is willing to
leave or is forced to leave his love as the poet’s seriousness increases with
the course of the poem and again reader is taken aback when the poet declares
that he has a distant hope to revive his love if his beloved wants.
In the first quatrain the poet
addresses his beloved telling her that, he has no solution to continue his love
with her, and when this love comes to an end once, she will not get him
anymore. So he suggests her to kiss and finally part forever. It is clear that
the separation has not been caused by his beloved or she is not the cause
behind the farewell. Even if she is the cause, he does not want to blame her
for separation. Though the farewell is full of sorrow, and as the farewell is
final, he says,
“And I am glad, yea, glad
with all my heart,
That thus so cleanly I
myself can free. ”
This expression of pleasure at
departing seems to be odd to the readers. The possible reason for this farewell
is complete freedom with least possibility of revival in the future and the
lover wants a fresh start. The poet thinks that the freedom will fill his heart
with gladness. Here the gladness is emphasized by repeating the word ‘glad ’.
In the second quatrain the poet moves
further in the direction of separation where he wants to break all the promises
made between them in the past. The poet writes,
“Shake hands forever, cancel all our
vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.”
The words, ‘Shake hands forever’
express two meanings. The one is the agreement or willingness at the decision
of farewell, and second meaning is permanent farewell which is often sad for
the true lovers. They express their agreement that if they meet at anytime in
future, they will not retain any sign of former love in their eyes. The second
quatrain shows the poet’s firmness in his decision and is now more serious
about the matter.
In the third quatrain the poet
expresses his intense seriousness in comparison with first two quatrains. To
emphasize that now his is intensely willing to depart, he makes use of
metaphors. The poet personifies his love, who is at the edge of death.
The poet, by personifying love and his
friends, passion, faith, and innocence, wants to convey the lessening of
intensity of love. The poet creates a picture that, his love is taking last
breaths, the passion becomes speechless, faith becomes weak, and innocence is
closing up his eyes. The poet writes the following lines to express the
seriousness of his departing love,
“Now at the last gasp of love’s
latest breath,
When his pulse
failing, passion speechless lies,
When faith is kneeling by his
bed of death,
And innocence is closing up his
eyes. ”
The poet, in these lines, touches the
extreme peak of emotional experience.
There comes a sudden change in the
feeling. The poet was serious enough to depart from his love. He wants no sign
of the former love. He has no hope of recovery, but he says that there is a
possibility of recovering the former love and bring his love to life again from
death, if his beloved wishes to recover the love. It is even at the last moment
of parting that his beloved can again enliven the dying love. In the poem, the
poet is struggling for solution. But solution is in the hands of his beloved
who with her powerful emotion can make the dying love active and living.
Conclusion:-
To sum up out discussion, it may be noted that with strong subjective note the poet expresses his intense feeling with proper intensity. The poem is fine example of subjective poetry whereby the poet finds no solution to continue his love. This feeling of separation gradually acquires strength and finally reaches at the edge of extreme. Though there is no alternative, the poet’s beloved can do for the poet. The poem secures a respected position in the Elizabethan poetry.
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