Sunday, June 25, 2023

Chicago by Carl Sandburg poem summary, American Literature II, 3rd Year 5th Semester, B.A English Literature

 BA English Literature

[3rd Year, 5th Semester]

American Literature – II 

Unit 1: Poetry 

1.2.    “Chicago” by Carl Sandburg

For clear explanation click the above video link
About Poet:

        Carl Sandburg was an American poet born in Galesburg, Illinois to Swedish immigrant parents in 1878. His poetry has a prevalent view of middle-class life and society, for which could be considered as the bard (unfortunately, there is no such thing) of working-class people. The collection of Chicago Poems was published in 1916 after he moved to Chicago in 1912. He worked as a journalist reporting to newspapers like the Chicago Day Book and the Chicago Daily News as well as the International Socialist Review. He had served as a secretary to Emil Seidel, Milwaukee’s Socialist mayor from 1910 to 1912. Having received three Pulitzer Prize – Two for poetry, and One for his publication of Abraham Lincoln: The War Years (1939), he still remains one of the greatest poets. He died in 1967.

        Sandburg reported on topics that were relevant to the working class of Chicago, including factory conditions, labor rights, race relations, and social justice.

 

About Poem:

Carl Sandburg's poem ''Chicago'' is one of the author's best-known works, and a widely-known example of American Modernist literature. The poem was written in 1914, and first published in the March 1914 edition of the magazine Poetry, along with a group of other poems by Sandburg known as the ''Chicago Poems.'' Included in countless anthologies, this poem made famous the description of Chicago as "City of the Big Shoulders," celebrating its role at the time as the industrial capital of the United States. In 1914 Harriet Monroe of Poetry magazine published six of his radical, muscular poems in the March issue of her forward-looking journal and awarded him the first Levinson Prize for his poem Chicago.

In 1916, Sandburg republished ''Chicago'' in a book of poems titled Chicago Poems.

 

Setting of Chicago-

The poem is set in the streets of early 20th century Chicago and describes extensively the lifestyle of the people who live here. They range from menial labourers to powerful men to petty criminals in the windy and pompous city of Chicago. The poet personifies the city in a lot of ways, and by the end of it, it seems less like a city and more like a merry man, toiling around the place. The city is described physically as an infrastructural place as well as an actual person in that era.

Poem:

Hog Butcher for the World,

   Tool Maker, Stacker of Wheat,

   Player with Railroads and the Nation's Freight Handler;

   Stormy, husky, brawling,

   City of the Big Shoulders:

 

They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys.

And they tell me you are crooked and I answer: Yes, it is true I have seen the gunman kill and go free to kill again.

And they tell me you are brutal and my reply is: On the faces of women and children I have seen the marks of wanton hunger.

And having answered so I turn once more to those who sneer at this my city, and I give them back the sneer and say to them:

Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning.

Flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities;

Fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness,

   Bareheaded,

   Shoveling,

   Wrecking,

   Planning,

   Building, breaking, rebuilding,

Under the smoke, dust all over his mouth, laughing with white teeth,

Under the terrible burden of destiny laughing as a young man laughs,

Laughing even as an ignorant fighter laughs who has never lost a battle,

Bragging and laughing that under his wrist is the pulse, and under his ribs the heart of the people,

                   Laughing!

Laughing the stormy, husky, brawling laughter of Youth, half-naked, sweating, proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.

 

Summary:

        The first five lines of the poem is an address to the city. He calls it with names which describe various jobs and the industry it is popular for Hog Butcher, Tool Maker, Stacker of Wheat, Player with railroads, Nation’s freight handler. Further, the poem also personifies the city to a young man who is nonchalant, husky, brawling with big shoulders.  The stanza gives the overall appeal of the city to be a burly and somewhat hard nature man.

        Lines 6 to 9 describe what people say about Chicago, and he sounds to be in agreement with them. ‘They’ refers to people who criticized Chicago for its negative sides. Using ‘You’, ‘I’, and ‘they’ make this sound like a dramatic monologue. The people who the poet address as ‘they’ call the city ‘wicked’ for the painted women (prostitutes) lure the innocent boys to go with them, and the poet agrees, for he has seen it himself. Then they call it crooked, for in the city the roughs are allowed to go freely with guns and to kill people, and the poet agrees too. They also call the city as brutal, for it has made women and children starve for food, and the poet replies in agreement, for he has seen it in the face of women and children.

        The lines 19-22 further explain Chicago as a man in action. In spite of all the handworks, smoke, and dust, it has learned to laugh. It doesn’t think much about the burden but laughs like a young man who laughs without giving much importance to the burden the destiny has thrust upon him. The city laughs like an ignorant fighter who has never lost a battle, boosting his power. The phrases ‘under his wrist is the pulse’ and ‘under his ribs, the heart of the people’ give a more human approach to the city.

        Altogether the line portrays Chicago as an optimistic young man who has learned to be happy in all situations. ‘Stormy, husky, brawling laughter’ presents the city as a person with coarse nature. The phrases’ Hog Butcher’, ‘Tool Maker’, ‘Stacker of Wheat’, ‘Player with Railroads’, and ‘Freight Handler’ have refrained, to sum up, that the embraces its identity – true appearance and nature of a working-class man.

Conclusion:

The poem “Chicago” is a ‘tribute’ to the city of the same name that describes it as being made of the people who work hard all day and literally “make it”. The poet calls Chicago a brave and proud city despite all its shortcomings. He lays down the moral of living in how one should not let the dark backdrop affect our attitude to our present lives.

*****************************************************************************************************

Follow our YouTube Channel to get more English Literature topics Summaries with explanation and Communicative English lesson and Task answers videos. Click this link and Subscribe: Saipedia

The Hillside Thaw by Robert Frost poem summary, American Literature II, 3rd Year 5th Semester, B.A English Literature

  BA English Literature

[3rd Year, 5th Semester]

American Literature – II 

Unit 1: Poetry 

“A Hillside Thaw” by Robert Frost

For clear explanation click the above video link

About Poet:

Robert Frost (Robert Lee Frost) was an American Poet noted for his realistic descriptions of rural life. Born on 26th March 1874, he spent his 40 year as an unknown entity.

He received four Pulitzer prizes for poetry in 1924, 1931, 1937 and 1943 and was a special guest at President John F. Kennedy’s inauguration. Frost became a poetic force and the unofficial Poet Laureate of the US. Died on 29th January 1968.

Frost's love of Nature is mainly directed to the local or regional plane. He expresses nature in terms of mountains, hills and valleys, the streams, the plants and flowers, the birds and the animals, even the insects and hornets of New England. Nature therefore gives him some facts on which his imagination could work.

Some of his famous works are The Road Not Taken, West Running Brook, Mending Wall, Birches, After Apple Picking and Home Burial.

About Poem:

“The Hillside Thaw" was first published in the April 6, 1921, issue of the New Republic and was later collected in New Hampshire.

New Hampshire is a 1923 volume of poems which won the 1924 Pulitzer Prize for Poetry. The book included several of Frost's most well-known poems, including "Stopping by Woods on a Snowy Evening", "Nothing Gold Can Stay" and "Fire and Ice“.


Poem:

To think to know the country and now know

The hillside on the day the sun lets go

Ten million silver lizards out of snow!

As often as I've seen it done before

I can't pretend to tell the way it's done.

It looks as if some magic of the sun

Lifted the rug that bred them on the floor

And the light breaking on them made them run.

But if I though to stop the wet stampede,

And caught one silver lizard by the tail,

And put my foot on one without avail,

And threw myself wet-elbowed and wet-kneed

In front of twenty others' wriggling speed,-

In the confusion of them all aglitter,

And birds that joined in the excited fun

By doubling and redoubling song and twitter,

I have no doubt I'd end by holding none.


It takes the moon for this. The sun's a wizard

By all I tell; but so's the moon a witch.

From the high west she makes a gentle cast

And suddenly, without a jerk or twitch,

She has her speel on every single lizard.

I fancied when I looked at six o'clock

The swarm still ran and scuttled just as fast.

The moon was waiting for her chill effect.

I looked at nine: the swarm was turned to rock

In every lifelike posture of the swarm,

Transfixed on mountain slopes almost erect.

Across each other and side by side they lay.

The spell that so could hold them as they were

Was wrought through trees without a breath of storm

To make a leaf, if there had been one, stir.

It was the moon's: She held them until day.

One lizard at the end of every ray.

The thought of my attempting such a stay!


Summary:

"A Hillside Thaw," a poem which Frost once referred as "Silver Lizards," in a letter to Sidney Cox develops an extended metaphor from an image that Frost and his friend Raymond Holden once observed on his farm in Franconia, New Hampshire. Holden recalled, "We stood for a while in the moonlight, watching the glitter of the frozen rivulets which, in the warm sun of the afternoon before, had been runnels of thaw-water, running down the sloping floor of the sugar orchard".

The poem begins, "To think to know the country and not know /The hillside on the day the sun lets go," and this statement reveals the subject and attitude of the poem. The narrator chides those who think they know the country but have not witnessed a hillside thaw, because to him that is the country. 

When the sun comes out it unleashes ten million lizards on a hillside. That the sun caused snow to melt, which in turns makes small rivets of water that resembled lizards. The narrator describes how this must be the work of the sun because the sun is a wizard, but then says the moon is a witch and by nightfall when the sun sets and the moon comes up, the water freezes and the lizards stop moving and turn to rock. 

The poem is filled with detailed imagery, beginning with the "ten million silver lizards out of the snow," the trails of water that trickle down from thawing snow on a hilltop. As the water slithers down the hillside, it looks as if silver lizards are coming out from under a rug. The narrator cannot imagine how "it's done," this illusion, except by "some magic of the sun."

Frost expands the image, describing it as a "wet stampede" and imagining catching a "lizard by the tail" or trying to stop one with his foot. He knows that even if he were to throw himself on the ground in "front of twenty others' wriggling speed," he would still "end by holding none," since lizards made of water cannot be grasped.

The closing stanza describes the sun as a wizard and the moon as a witch. The sun's wizardry has turned melting snow into lizards before the speaker's eyes, and the moon's witchcraft manages to turn them into "rock" when the sun sets and the temperature drops below freezing again.

This poem demonstrates how the human imagination works in the face of natural occurrences. Frost's poetic description of the hillside thaw skillfully extends one of his most unusual metaphors.

*****************************************************************************************************

Follow our YouTube Channel to get more English Literature topics Summaries with explanation and Communicative English lesson and Task answers videos. Click this link and Subscribe: Saipedia