The Restoration England
The Restoration of the
English monarchy began in 1660 when the English, Scottish and Irish
monarchies were all restored under Charles II after the Interregnum that
followed the Wars of the Three Kingdoms. The term Restoration is used to describe both the actual
event by which the monarchy was restored, and the period of several years
afterwards in which a new political settlement was established. It is very
often used to cover the whole reign of Charles II (1660–1685) and often the
brief reign of his younger brother James II (1685-1688). In certain
contexts it may be used to cover the whole period of the later Stuart monarchs
as far as the death of Queen Anne and the accession of the Hanoverian George I
in 1714; for example Restoration comedy typically encompasses works written
as late as 1710.
Background for
Restoration
The
English Restoration begins under
invitation by leaders of the English Commonwealth, Charles II, the exiled king
of England, lands at Dover, England, to assume the throne and end 11 years of
military rule.
Prince
of Wales at the time of the English Civil War, Charles fled to France after
Oliver Cromwell’s Parliamentarians defeated King Charles I’s Royalists in 1646.
In 1649, Charles vainly attempted to save his father’s life by presenting
Parliament a signed blank sheet of paper, thereby granting whatever terms were
required. However, Oliver Cromwell was determined to execute Charles
I, and on January 30, 1649, the king was beheaded in London.
After
his father’s death, Charles was proclaimed king of England by the Scots and by
supporters in parts of Ireland and England, and he traveled to Scotland to
raise an army. In 1651, Charles invaded England but was defeated by Cromwell at
the Battle of Worcester. Charles escaped to France and later lived in exile in
Germany and then in the Spanish Netherlands. After Cromwell’s death in 1658,
the English republican experiment faltered. Cromwell’s son Richard proved an
ineffectual leader, and the public resented the strict Puritanism of
England’s military rulers.
In
1660, in what is known as the English Restoration, General George Monck met
with Charles and arranged to restore him in exchange for a promise of amnesty
and religious toleration for his former enemies. On May 25, 1660, Charles
landed at Dover and four days later entered London in triumph. It was his 30th
birthday, and London rejoiced at his arrival. In the first year of the
Restoration, Oliver Cromwell was posthumously convicted of treason and his body
disinterred from its tomb in Westminster Abbey and hanged from the gallows at
Tyburn.
The British Restoration
After
the death of Oliver Cromwell in
Sept., 1658, the English republican experiment soon faltered. Cromwell's son
and successor, Richard, was an ineffectual leader, and power quickly fell into
the hands of the generals, chief among whom was George Monck,
leader of the army of occupation in Scotland. In England a strong reaction had
set in against Puritan supremacy and military control. When Monck marched on
London with his army, opinion had already crystallized in favor of recalling
the exiled king.
Monck
recalled to the Rump Parliament the members who had been excluded by Pride's
Purge in 1648; the reconvened body voted its own dissolution. The newly elected
Convention Parliament, which met in the spring of 1660, was overtly royalist in
sympathy. An emissary was sent to the Netherlands, and Charles was easily
persuaded to issue the document known as the Declaration of Breda, promising an
amnesty to the former enemies of the house of Stuart and guaranteeing religious
toleration and payment of arrears in salary to the army. Charles accepted the
subsequent invitation to return to England and landed at Dover on May 25, 1660,
entering London amid rejoicing four days later.
Politics under Charles
II and James II
Control
of policy fell to Charles's inner circle of old Cavalier supporters, notably to
Edward Hyde, 1st earl of Clarendon, who
was eventually superseded by a group known as the Cabal. The
last remnants of military republicanism, as exemplified in the Fifth
Monarchy Men, were violently suppressed, and persecution
spread to include the Quakers. The Cavalier Parliament, which assembled in
1661, restored a militant Anglicanism, and Charles attempted, although
cautiously, to reassert the old absolutist position of the earlier Stuarts.
The
crown, however, was still dependent upon Parliament for its finances. The
unwillingness of Charles and his successor, James II, to accept the
implications of this dependency had some part in bringing about the deposition
(1688) of James II, who was hated as a Roman Catholic as well as a suspected
absolutist. The Glorious
Revolution gave the throne to William
III and Mary II.
England during the Restoration
Restoration
Literature
Restoration literature is the English literature written during the
historical period commonly referred to as the English Restoration(1660–1689),
which corresponds to the last years of the direct Stuart reign in England,
Scotland, Wales, and Ireland. In general, the term is used to denote roughly
homogeneous styles of literature that center on a celebration of or reaction to
the restored court of Charles II. It is a literature that includes extremes,
for it encompasses both Paradise Lost and the Earl of Rochester’s Sodom, the high-spirited sexual comedy of The Country Wife and the moral wisdom of The Pilgrim’s Progress. It saw Locke’s Treatises of Government, the founding of the Royal
Society, the experiments and holy meditations of Robert Boyle, the hysterical
attacks on theaters from Jeremy Collier, and the pioneering of literary
criticism from John Dryden and John Dennis. The period witnessed news
become a commodity, the essay developed into a periodical art form, and
the beginnings of textual criticism.
Traditionally, Restoration plays have been studied by genre rather than chronology, more or less as if they were all contemporary, but scholars today insist on the rapid evolvement of drama in the period and on the importance of social and political factors affecting it. (Unless otherwise indicated, the account below is based on Hume’s influential Development of English Drama in the Late Seventeenth Century, 1976.) The influence of theatre company competition and playhouse economics is also acknowledged, as is the significance of the appearance of the first professional actresses.
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